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Alexis Korner's Blues Incorporated – At The Cavern (1964)

Alexis Korner's Blues Incorporated  – At The Cavern  (1964)




Without Alexis Korner, there still might have been a British blues scene in the early 1960s, but chances are that it would have been very different from the one that spawned the Rolling Stones, nurtured the early talents of Eric Clapton, and made it possible for figures such as John Mayall to reach an audience. Born of mixed Turkish/Greek/Austrian descent, Korner spent the first decade of his life in France, Switzerland, and North Africa, and arrived in London in May of 1940, just in time for the German blitz, during which Korner discovered American blues. One of the most vivid memories of his teen years was listening to a record of bluesman Jimmy Yancey during a German air raid. "From then on," he recalled in an interview, "all I wanted to do was play the blues." 

After the war, Korner started playing piano and then guitar, and in 1947 he tried playing electric blues, but didn't like the sound of the pick-ups that were then in use, and returned to acoustic playing. In 1949, he joined Chris Barber's Jazz Band and in 1952 he became part of the much larger Ken Colyer Jazz Group, which had merged with Barber's band. Among those whom Korner crossed paths with during this era was Cyril Davies, a guitarist and harmonica player. The two found their interests in American blues completely complementary, and in 1954 they began making the rounds of the jazz clubs as an electric blues duo. They started the London Blues and Barrelhouse Club, where, in addition to their own performances, Korner and Davies brought visiting American bluesmen to listen and play. Very soon they were attracting blues enthusiasts from all over England. 

Korner and Davies made their first record in 1957, and in early 1962, they formed Blues Incorporated, a "supergroup" (for its time) consisting of the best players on the early-'60s British blues scene. Korner (guitar, vocals), Davies (harmonica, vocals), Ken Scott (piano), and Dick Heckstall-Smith (saxophone) formed the core, with a revolving membership featuring Charlie Watts or Graham Burbridge on drums, Spike Heatley or Jack Bruce on bass, and a rotating coterie of guest vocalists including Long John Baldry, Ronnie Jones, and Art Wood (older brother of Ron Wood). Most London jazz clubs were closed to them, so in March of 1962 they opened their own club, which quickly began attracting large crowds of young enthusiasts, among them Mick Jagger, Keith Richards, and Brian Jones, all of whom participated at some point with the group's performances; others included Ian Stewart, Steve Marriott, Paul Jones, and Manfred Mann. In May of 1962, Blues Incorporated was invited to a regular residency at London's Marquee Club, where the crowds grew even bigger and more enthusiastic. John Mayall later credited Blues Incorporated with giving him the inspiration to form his own Bluesbreakers group. 

Record producers began to take notice, and in June of 1962 producer Jack Good arranged to record a live performance by the band. The resulting record, R&B from the Marquee, the first full-length album ever made by a British blues band, was released in November of 1962. The album consisted of largely of American standards, especially Willie Dixon numbers, rounded out with a few originals. At virtually the same time that Blues Incorporated's debut was going into stores, Cyril Davies left the group over Korner's decision to add horns to their sound. Korner soldiered on, but the explosion of British rock in 1963, and the wave of blues-based rock bands that followed, including the Rolling Stones, the Animals, and the Yardbirds undercut any chance he had for commercial success. His more studied brand of blues was left stranded in a commercial backwater -- there were still regular gigs and recordings, but no chart hits, and not much recognition. While his one-time acolytes the Rolling Stones and the Cream made the front pages of music magazines all over the world, Korner was relegated to the blues pages of England's music papers, and, though not yet 40, to the role of "elder statesman." 

For a time, Korner hosted Five O'Clock Club, a children's television show that introduced a whole new generation of British youth to American blues and jazz. He also wrote about blues for the music papers, and was a detractor of the flashy, psychedelic, and commercialized blues-rock of the late '60s, which he resented for its focus on extended solos and its fixation on Chicago blues. He continued recording as well, cutting a never-completed album with future Led Zeppelin vocalist Robert Plant in early 1968. Korner's performing career in England was limited, but he could always play to large audiences in Europe, especially in Scandinavia, and there were always new Korner records coming out. It was while touring Scandinavia that he first hooked up with vocalist Peter Thorup, who became Korner's collaborator over the next several years in the band New Church. After his dismissal from the Rolling Stones, Brian Jones considered joining New Church; Korner, however, rejected the idea, because he didn't want his new band to be caught up in any controversy. In 1972, he became peripherally involved in the breakup of another band, inheriting the services of Boz Burrell, Mel Collins, and Ian Wallace when they quit King Crimson. 

It was during the '70s that Korner had his only major hit, as leader (with Peter Thorup) of the 25-member big-band ensemble CCS. Their version of Led Zeppelin's "Whole Lotta Love" charted in England, and led to a tour and television appearances. In response, Korner released Bootleg Him, a retrospective compiled from tapes in his personal collection, including recordings with Robert Plant, Mick Jagger, and Charlie Watts. Korner played on the "supersession" album B.B. King in London, and cut his own, similar album, Get Off My Cloud, with Keith Richards, Peter Frampton, Nicky Hopkins, and members of Joe Cocker's Grease Band. When Mick Taylor left the Rolling Stones in 1975, Korner was mentioned as a possible replacement, but the spot eventually went to Ron Wood. In 1978, for Korner's 50th birthday, an all-star concert was held featuring Eric Clapton, Paul Jones, Chris Farlowe, and Zoot Money, which was later released as a video. 

In 1981, Korner formed the last and greatest "supergroup" of his career, Rocket 88, featuring himself on guitar, Jack Bruce on upright bass, Ian Stewart on piano, and Charlie Watts on drums, backed by trombonists and saxmen, and one or two additional keyboard players. They toured Europe and recorded several gigs, the highlights of which were included on a self-titled album released by Atlantic Records. In contrast to the many blues-rock fusion records with which Korner had been associated, Rocket 88 mixed blues with boogie-woogie jazz, the group's repertory consisting largely of songs written by W. C. Handy and Pete Johnson. 

After a well-received appearance at the Cambridge Folk Festival in the early '80s, there were rumors afterward that he intended to become more active musically, but his health was in decline by this time. 

Alexis Korner's Blues Incorporated  – At The Cavern  (1964)

    [04:00] 01. Alexis Korner Blues Incorporated - Overdrive [04:33] 02. Alexis Korner Blues Incorporated - Whoa Baby [04:13] 03. Alexis Korner Blues Incorporated - Every Day I Have The Blues [05:35] 04. Alexis Korner Blues Incorporated - Hoochie Coochie Man [07:39] 05. Alexis Korner Blues Incorporated - Herbie's Tune (Aka Dooji Wooji) [05:32] 06. Alexis Korner Blues Incorporated - Little Bitty Gal Blues [03:15] 07. Alexis Korner Blues Incorporated - Well All Right, Ok, You Win [04:28] 08. Alexis Korner Blues Incorporated - Kansas City [00:13] 09. Alexis Korner Blues Incorporated - Announcement [BBC Session] [02:20] 10. Alexis Korner Blues Incorporated - Overdrive [BBC Session] [01:15] 11. Alexis Korner Blues Incorporated - Brief Interview [BBC Session] [02:10] 12. Alexis Korner Blues Incorporated - I Need Your Lovin' [BBC Session] [02:25] 13. Alexis Korner Blues Incorporated - Turn On Your Lovelight [BBC Session] [01:07] 14. Alexis Korner Blues Incorporated - Brief Interview [BBC Session] [02:50] 15. Alexis Korner Blues Incorporated - Please, Please, Please [BBC Session] [00:05] 16. Alexis Korner Blues Incorporated - Announcement [BBC Session] [02:21] 17. Alexis Korner Blues Incorporated - Roberta [BBC Session] [02:01] 18. Alexis Korner Blues Incorporated - Every Day I Have The Blues [BBC Session] [02:16] 19. Alexis Korner Blues Incorporated - I Need Your Lovin' [02:32] 20. Alexis Korner Blues Incorporated - Please, Please, Please

Alexis Korner's Blues Incorporated - R&B From The Marquee (1962)

Alexis Korner's Blues Incorporated - R&B From The Marquee  (1962)

Its title notwithstanding, R&B from the Marquee was not a live album, nor was it cut at the Marquee: it was actually done at Decca Records' London studio, albeit in one long day's work and effectively live-in-the-studio. It was also the place where British blues began, at least as a recording proposition. Blues played by Britons had been part of the underground music scene since the mid-'50s, and Blues Incorporated had been a going concern in one form or another, initially guitarist Alexis Korner and harpist/singer Cyril Davies (actually, maybe the first two Britons to play blues); but by this time, the group also included Dick Heckstall-Smith (tenor sax, backing vocals), Keith Scott (piano), Spike Heatley (upright bass), and Graham Burbridge (drums), with Long John Baldry handling some lead vocals. For this record, Big Jim Sullivan also sang backup, and Teddy Wadmore provides a key cameo appearance for the electric bass guitar (then a new and alien instrument in this music). The sound here is mostly out of late-'40s and early-'50s Chicago blues; in later years -- Blues Incorporated would embrace more diverse branches of the music in their performances -- and the outfit swings with a surprising degree of authenticity; they're somewhat stiffer than any actual Chicago outfit would be, but in England in 1962, this was as down-and-dirty as any homegrown outfit ever sounded. Korner's guitar leads things off with his own "Gotta Move," an instrumental that showcases the whole outfit, including a bracing duet between Davies' harmonica and Heckstall-Smith's sax: they give each give plenty of space to work around the other, here and also on Davies' own "Spooky But Nice," and it's easy to see why the two got along so well despite Davies' well-known antipathy to reed instruments and horns. Blues Incorporated was at its peak during the time this album was done, with its best and most powerful lineup, and never stronger in the vocal department -- Baldry has more flexibility, and is more a potential star (which he became) for his singing, while Davies is a pure, raw bluesman, with no concessions to pop music, and he sounds uncannily like Muddy Waters on "I Got My Brand on You." And this band swings, but it also rocks. "I Wanna Put a Tiger in Your Tank" is a forceful blues workout for its time, and when Wadmore's electric bass shows up on "Got My Mojo Working," you can hear the first recorded manifestation of what would become blues-rock in the hands of Blues Incorporated member/acolytes the Rolling Stones and the Pretty Things. Spike Heatley gets the spotlight briefly on the instrumental "Down Town," and lest anyone think that Alexis Korner is only a supporting player in his own band, nothing could be farther from the truth: his guitar, acoustic and mostly unamplified, helps drive everything here, and "Finkle's Café" and "Hoochie Coochie Man," among other tracks, give him the spotlight.
Alexis Korner's Blues Incorporated - R&B From The Marquee  (1962)

''The Most Famous Club in The World"

''The Most Famous Club in The World


''The Most Famous Club in The World


The Cavern Club has become one of the most famous music venues in Britain The club which launched The Beatles is celebrating its 50th anniversary today. The much-loved Liverpool nightspot – which was apparently inspired by Paris’s Jazz district – has become a legendary venue over the last few decades and has hosted acts such as the Rolling Stones, The Kinks, Elton John and The Who. We take a look at some facts about the club and some of its most memorable moments since opening its doors. :: The Cavern Club opened in a basement cellar in Mathew Street, Liverpool, on January 16, 1957 and was named after the Paris jazz club Le Caveau. :: The Quarrymen Skiffle Group, featuring late Beatle John Lennon, made their first appearance at the Cavern in August 1957. :: The Beatles made their first appearance at the club during a lunchtime session in February 1961. The special sessions had been introduced to cope with demand from audiences. The group went down well with the music-loving crowd and started to draw larger audiences. They played there almost 300 times between 1961 and 1963. :: Brian Epstein became the band’s manager after watching them perform at the Cavern and he went on to secure them a record deal in May 1962. :: Towards the end of 1965 the club went bankrupt and it was closed down for two months. Fans were desperate to get the club re-opened and an appeal fund was set up. Some supporters also presented Prime Minister Harold Wilson (who was also a local MP) with a petition to re-open the club. It was later bought privately and Wilson officially re-launched the Cavern on July 23, 1966. :: The original club was knocked down in 1982 but more than 15,000 bricks from the building were saved and used to rebuild the premises using the same plans. The Cavern re-opened in 1984.



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VA - The Cavern The Most Famous Club in The World 3 CD

''The Most Famous Club in The World

''The Most Famous Club in The World


VA - Tribute To The Cavern

''The Most Famous Club in The World

''The Most Famous Club in The World


The Silver Beatles ‎– The Original Decca Tapes & Cavern Club 

''The Most Famous Club in The World

''The Most Famous Club in The World


The Big Three - Cavern Stomp

''The Most Famous Club in The World

''The Most Famous Club in The World


Recorded Live At The Cavern Liverpool

''The Most Famous Club in The World

''The Most Famous Club in The World


Alexis Korner – At The Cavern 

''The Most Famous Club in The World

''The Most Famous Club in The World


The Big Three - At The Cavern

''The Most Famous Club in The World

''The Most Famous Club in The World



''The Most Famous Club in The World










Alexis Korner's Blues Incorporated  – At The Cavern  (1964)Alexis Korner's Blues Incorporated - R&B From The Marquee  (1962)''The Most Famous Club in The World"

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