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Filipinki – Nie Ma Go (1968)

Filipinki – Nie Ma Go (1968)

Filipinki – Nie Ma Go (1968)

The debut of the group took place in 1960 at the song contest We are looking for young talents. In 1962, the group took part in a radio competition Microphone for all, with which they gained popularity and received an offer to record for the Szczecin branch of Polish radio. These recordings were broadcast live throughout the country. Since then, the group ceased to be an amateur and began a professional career.
The peak of popularity of the Filipinas fell on the period 1963-1965. In January 1963, the group performed on a radio broadcast by Jan Svyach and Zalewski. In April, the group made its debut on television, and in May, at the editorial office of Filipinka magazine in Warsaw, it officially secured the name. The song Wala twist in honor of Valentina Tereshkova, who made her space flight, brought the group further international fame.
In the summer of the same year, in August, the group is already giving concerts abroad (East Germany, Sweden), and is recording the first album. Then he gives concerts abroad (England, Bulgaria, France, Canada, USA, USSR). He successfully performs at festivals (including the National Festival of Polish Song in Opole).

The songs for the group are mainly written by Jan Janikowski and Wlodzimierz Patuszynski.



01. Nie ma go (02:49)
02. Wlasny swiat (02:17)
03. Znam go na pamiec (02:30)
04. O dziesiatej (02:12)


Filipinki – Nie Ma Go (1968)


 

Filioinki - Nagrania Radiowe Z Lat 1963-1972 [Z Archiwum Polskiego Radia]






01. Pity Pity                                                                                                             
02. Parasolki                                                                                                             
03. Batum                                                                                                                 
04. Dzieci Pireusu                                                                                                        
05. Spacer po porcie                                                                                                      
06. I sommerous soliga                                                                                                    
07. Praczki z Portugali                                                                                                   
08. Ave Maria  no morro                                                                                                   
09. Filipinki to my                                                                                                       
10. Charleston nastolatków                                                                                                
11. Babunia z portretu                                                                                                    
12. Bal Arlekina                                                                                                          
13. Do widzenia profesorze                                                                                                
14. Piosenki twego snu                                                                                                    
15. Rozśpiewani rówieśnicy                                                                                                
16. Wala twist                                                                                                            
17. Ballada o kimś dalekim                                                                                                
18. Siedmiu chłopców                                                                                                      
19. Tarap tarap                                                                                                           
20. Znajdź sobie dziewczynę                                                                                               
21. Tłok na plaży                                                                                                         
22. Nie ma go                                                                                                             
23. Weselmy się                                                                                                           
24. Wiosna majem wróci                                                                                                    
25. Białe muszelki                                                                                                        
26. Za dużo wrażeń                                                                                                        

01. On tu jest                                                                                                            
02. Dam ci wszystko co zechcesz                                                                                           
03. Jeśli kochasz nie mów mi o tym                                                                                        
04. Nie wierz chłopcom                                                                                                    
05. Nic nie wraca                                                                                                         
06. Co się odwlecze                                                                                                       
07. Ja się w tobie nie zakocham                                                                                           
08. Po ulicy chodzę                                                                                                       
09. Królewski zamek                                                                                                       
10. Ze mną od dziś                                                                                                        
11. Filipinki to my - LIVE                                                                                                
12. Bal Arlekina                                                                                                          
13. Charleston nastolatków                                                                                                
14. Ballada o kimś dalekim                                                                                                
15. Do widzenia profesorze                                                                                                
16. Rówieśnicy                                                                                                            
17. Wala twist                                                                                                            
18. Tłok na plaży                                                                                                         
19. Nie powtarzaj się                                                                                                     
20. Weselmy się                                                                                                           
21. Wiosna majem wróci                                                                                                    
22. Odjechali chłopcy                                                                                                     
23. Biała brzózka pośród miasta                                                                                           
24. Byli tacy jak my                                                                                                      
25. Regulaminowa piosenka                                                  



The Beatmen - The Beatmen



The Beatmen were a Slovak rock band singing predominantly in English, that existed from 1964 to 1966. Although they released only 4 songs, they remain one of the most significant bands in the history of the Czechoslovak popular music. They were one of the first widely popular Big Beat bands in Czechoslovakia and they were one of the first bands from behind the iron curtain to play in the western Europe, in Munich.The band was the first bigger success for the singer and guitarist Dežo Ursiny, who later became a legend of the Czechoslovak music.

Music and sound of the Beatmen is mightily influenced especially by The Beatles, as is obvious from the listening. Their song Let's Make A Summer has been highly critically acclaimed and remains one of the best Czechoslovak pop songs ever written.





VA - Big Beat Line 1965-1968

VA - Big Beat Line 1965-1968



It may (still) not be common knowledge yet, but one of Europe's best beat scenes of the '60s could be found in Czechoslowakia. This awesome DOUBLE-CD compilation contains recordings from essential representatives s.a. The Beatmen (6 tracks), Crystal (4 tracks), Flamengo (9 tracks), Juventus (5 tracks), Matadors (6 tracks), Mefisto (6 tracks), Olympic (10 tracks), Synkopa Ob Pierov (3 tracks) and Vulkan (6 tracks).


Takmer 160 minut hudby, ucebnica bigbeatovej historie v miniprofiloch deviatich ceskoslovenskych kapiel na 2CD. Po vlanajsej uspesnej kompilacii Beatline, ktora mapovala dobu okolo dvoch ceskoslovenskych beatovych festivalov, Supraphon ponuka presun v case o niekolko rokov spat. Polovica sestdesiatich rokov minuleho storocia bola pre domaci bigbeat zasadna. Po ideologicky bezpecnom okuzleni gitarovymi instrumentalkami v style The Shadows a tiez omnoho konfliktnejsej rock’n’rollovej jazde so solovymi spevakmi, prisla Mersey zaplava.

Od roku 1962 prudko narastajuci pocet mladych suborov, len v Prahe spocitanych na stovky, sa uz nedal prehliadnut a hlavne prepocut. Postupne prenikanie beatovych kapiel do rozhlasovych studii a na SP ci EP vinyly firmy Supraphon nebolo az take samozrejme, ale pod tlakom obrovskeho dopytu a aj za mierneho topenia politickych ladovcov predsa len prebiehalo. Na prvy samostatny album si vsak nasi rockeri museli pockat az do roku 1968.

Kompilacia Big Beat Line 1965-1968 ponuka miniprofily deviatich kapiel, ktorych osudy zvycajne mapuju vyvoj od lubozvucnych instrumentaliek cez prve viachlasove pokusy az po najdenie uplne vlastnej cesty. Najdete tu mimoriadnych beatovych vokalistov (Karel Cernoch, Karel Kahovec, Pavel a Petr Novakovci, Vladimir Misik, Pavel Sedlacek, Viktor Sodoma alebo Hana a Petr Ulrychovci), zdatnych solujucich instrumentalistov (R. Hladik, F. Francl, O. Jahn, J. F. Obermayer alebo K. Svoboda) a aj zostavu konzistentnej partie, ktorej vtedajsia dolezitost a kvalita trva dodnes (The Beatmen, The Matadors ci Olympic). Z povodnych pasov bolo nanovo remastrovanych maximum moznych skladieb.

2CD je obohatene obsiahlym bookletom s mnozstvom dokumentarnych fotografii. Takmer 160 minut hudby, ucebnica bigbeatovej historie a prijemne pocuvanie nielen pre pamatnikov. Devat slavnych bigbeatovych kapiel a ich 60 skladieb.https://www.kukninato.sk/hudba/fajnsmekri-pozor-vysla-kompilacia-big-beat-line-1965-1968/


CD 1

1-1–Olympic (2) Orange Blossom Special 1:57
1-2–Miki Volek, Olympic (2) Roll Over Beethoven 3:21
1-3–Pavel Bobek, Olympic (2) Rave On 1:56
1-4–Yvonne Prenosilova, Olympic (2) Mesic 2:45
1-5–Olympic (2) Mary (I Must Play) 2:02
1-6–Miki Volek, Olympic (2) Smutny Holic Z Liverpoolu 3:02
1-7–Olympic (2) Dej Mi Vic Sve Lasky 2:54
1-8–Olympic (2) Snad Jsem To Zavinil Ja 3:04
1-9–Olympic (2) Nejim A Nespim 1:45
1-10–Olympic (2) Nebezpecna Postava 1:45
1-11–The Beatmen (2) Break It 2:48
1-12–The Beatmen (2) Let's Make A Summer 3:07
1-13–The Beatmen (2) Safely Arrived 2:03
1-14–The Beatmen (2) The Enchanted Lie 2:12
1-15–The Beatmen (2) Walkin' Home 2:06
1-16–The Beatmen (2) Schodzka 2:04
1-17–Mefisto (4) Monika 2:06
1-18–Mefisto (4) Yakety Yak 1:56
1-19–Mefisto (4) Johnny B. Goode 2:54
1-20–Mefisto (4) Hippy Hippy Shake 1:43
1-21–Mefisto (4) Navrat Gemini 2:06
1-22–Mefisto (4) Keep On Running 2:39
1-23–Vulkan Pisen Sklenene Bane 3:02
1-24–Vulkan Zlata Stredni 2:37
1-25–Vulkan Kouzelna Lampa 2:31
1-26–Vulkan Tve Mesto 2:33
1-27–Vulkan Sen 3:02
1-28–Vulkan Musim Tahnout Svuj Vuz Dal 3:11
1-29–Irena Kubatova, Jirina Menslova, Eva Fatkova, Crystal (27) Tenhle Kluk (Just One Look) 2:05
1-30–Jaroslav Nevrkla, Jaroslav Jarosil, Crystal (27) The Game Of Love 1:56
1-31–Jaroslav Nevrkla, Jaroslav Jarosil, Crystal (27) She's The One 2:10
1-32–Jaroslav Nevrkla, Jaroslav Jarosil, Crystal (27) Can't You See That She's Mine

CD 2

2-1–Karel Kahovec, The Matadors (2) Farmer John
2-2–The Matadors (2) Locomotion With You 1:39
2-3–The Matadors (2) Pay, Pay Twist 2:15
2-4–Karel Kahovec, The Matadors (2) Sing A Song Of Sixpence 1:56
2-5–The Matadors (2), Jan Farmer Obermayer*, The Matadors (2) Snad Jednou Ti Dam 2:31
2-6–Vladimir Misik, The Matadors (2) Malej Zvon, Co Mam 3:53
2-7–Vladimir Misik, The Matadors (2) Don't Bother Me 2:34
2-8–Vladimir Misik, The Matadors (2) Old Mother Hubbard 2:10
2-9–Viktor Sodoma, The Matadors (2) I Think It's Gonna Work Out Fine 3:11
2-10–Viktor Sodoma, The Matadors (2) Indolence 3:54
2-11–Viktor Sodoma, Jan Farmer Obermayer*, Otto Bezloja, The Matadors (2) Zlaty Dul (Hate Everything Except Of Hatter) 3:31
2-12–Viktor Sodoma, Flamengo Black Is Black 2:51
2-13–Petr Novak, Flamengo Ja Budu Chodit Po Spickach 2:19
2-14–Petr Novak, Flamengo Povidej 2:06
2-15–Karel Kahovec, Flamengo Vyber Si Palac 3:04
2-16–Karel Kahovec, Flamengo Svou Lasku Jsem Rozdal 3:11
2-17–Karel Kahovec, Pavel Sedlacek, Flamengo Dzban 3:01
2-18–Karel Kahovec, Flamengo Poprava Blond Holky 4:36
2-19–Karel Kahovec, Flamengo Co Skryvas V Ocich 4:02
2-20–Karel Kahovec, Flamengo Zavrazdil Jsem Lasku 3:26
2-21–Synkopa OB Prerov, Pavel Novak Vyznani 2:49
2-22–Synkopa OB Prerov, Pavel Novak Jaky Jsem (Rock And Roll Music) 2:24
2-23–Synkopa OB Prerov, Pavel Novak Nesmis Mi Lhat (If You Gotta Go, Go Now) 2:33
2-24–Juventus (3), Karel Cernoch Chram 2:23
2-25–Juventus (3), Karel Cernoch Narek Prevoznika 3:20
2-26–Juventus (3), Karel Cernoch Ona Se Brani 2:46
2-27–Juventus (3), Karel Cernoch Stuj, Obcane! 2:05
2-28–Juventus (3), Karel Cernoch 18 minut 2:43

VA - Big Beat Line 1965-1968




Czerwone Gitary - To właśnie my (1966)

Czerwone Gitary -  To właśnie my (1966)



Polish rock/pop band, founded 1965, which had its biggest outside success in the German Democratic Republic. In Poland known as Czerwone Gitary (= Red Guitars), they performed numerous songs in German as well and consequently released them under a German name, Rote Gitarren. 

members: 
Seweryn Krajewski (g, keyb, p, v, solo-voc) 
Bernard Dornowski (g, voc) 
Jerzy Skrzypczyk (dr, voc) 
Jan Pospieszalski (bg, b)

Czerwone Gitary (The Red Guitars) is one of the most popular rock bands in the history of Polish popular music. The band formed in 1965 and achieved its greatest success from 1965 to 1970. Often considered the Polish equivalent of the Beatles, many of their hits are now classics in Poland. The group toured extensively outside Poland (in Czechoslovakia, Hungary, United States, Germany and Soviet Union) but had mostly disappeared from the Polish scene by the 1980s. The band reformed in the 1990s.

The Czerwone Gitary were founded by guitarist/vocalist Jerzy Kossela and bassist Henryk Zomerski on 3 January 1965 in Gdańsk. Initial members included Bernard Dornowski (guitar/vocals), Krzysztof Klenczon (lead guitar /vocals) and Jerzy Skrzypczyk (drums/vocals); four members (Dornowski, Klenczon, Kossela and Zomerski) had played previously in another notable Polish band, the Niebiesko-Czarni (The Blue-Blacks). Note: Radio disc jockey Neil Kempfer-Stocker was the first person to air the Blue-Blacks 45 rpms in America while at WRMC Radio Bethlehem, Pennsylvania in 1968. In Autumn 1965 Zomerski was replaced by Seweryn Krajewski (bass/vocals); around that time the band also launched their first tour in Poland under the slogan "We play and sing the loudest in Poland".

Their 1966 debut album To właśnie my (It's us) sold 160,000 copies, and their May 1967 follow up, Czerwone Gitary 2, sold a then-record (for Poland) 240,000. In the same year Krajewski received a special award at the National Festival of Polish Song in Opole (Krajowy Festiwal Piosenki Polskiej w Opolu). In 1967 Kossela left the band. The band's 1968 third album sold 220,000 copies, and the group received an award in Opole for their song Takie ładne oczy (Such Pretty Eyes). In 1969 the band received a MIDEM award in Cannes for the largest number of discs sold in Poland up to that date; this was the same year that the Beatles received this award. Thereafter the Czerwone Gitary would be known as the Polish Beatles (see also Beatlesque).[1] The same year the group received a special award from Billboard magazine, and in Poland, another award from Opole festival for Biały krzyż (White cross).

Klenczon left in 1970, the year of the band's acclaimed LP Na fujarce (On the flute). Krajewski then took lead as the group turned to mainstream folk-tinged pop in the 1970s.

After a hiatus the Czerwone Gitary returned in the early 1990s with Kossela, Dornowski and Skrzypczyk resurrecting the group. Krajewski refused to participate - save for the initial 1991 tour Wszystkim,którzy o nas pamietają (For All Who Still Remember Us) - and even released a solo album credited to Czerwone Gitary by Seweryn Krajewski called Koniec (The End). Initially the new lineup played the old hits; its first new album since the 1970s was the ...jeszcze gra muzyka (...still the music plays) in 1998. In a 2000 poll for the Polish magazine Polityka, Czerwone Gitary were selected as "One of the Best Polish Bands of the 20th Century". In 2005 a new song Senny szept (Sleepy whisper) took fourth place in the Sopot International Song Festival.

The Matadors ‎– Classic

The Matadors  ‎– Classic


The Matadors were a beat band from Czechoslovakia. The members were Otto Bezloja (bass guitar, leader), Radim Hladík (lead guitar), Jan "Farmer" Obermayer (organ), Miroslav "Tony Black" Schwarz (drums) as well as Karel Kahovec (vocals, rhythm guitar) and Vladimír Mišík (vocals, bluesharp). The latter two were replaced in late 1966 by ex-Flamengo Viktor Sodoma jr. (vocals).

The Matadors  ‎– Classic

The Matadors formed in early 1965 from Fontana (The Fontanas), with members from Pra-Be and Komety (The Comets). Fontana's manager (and until early 1965 also their drummer) Wilfried Jelinek secured a promotional deal with an East German manufacturer of sound equipment and music instruments. Since the group began to use an electronic organ named Matador, they changed their name accordingly to promote it. The Matadors performed exclusively in East Germany until April 1966, their live repertoire consisted mostly of cover versions from popular beat groups like The Who, The Kinks or The Small Faces.

The original Czech edition cover of 1968's album The Matadors
The most successful Matadors line-up broke up in summer 1968. Radim Hladík then established Blue Effect (later also known as Modrý Efekt or M Efekt) with the original Matadors lead singer Vladimír Mišík. Jan Obermayer joined Petr Novák's George & Beatovens. Viktor Sodoma jr. pursued a solo career as a pop singer, backed by various groups and orchestras. Best remembered was his 1971-1973 collaboration with Shut Up, later known as the František Ringo Čech Group, with whom he recorded numerous "bubble-gum" singles and one side of his only solo album.

The Matadors  ‎– Classic

Otto Bezloja and Tony Black briefly reformed the Matadors, joined by ex-Komety lead singer Miloš "Reddy" Vokurka, Jiří Matoušek on organ and Petr Netopil on guitar. In fall 1968 they left to Munich, West Germany where they worked as the house band of a German edition of the Hair musical. In the early 1970s the nucleus of that band evolved to the Germany-based progressive rock group Emergency.

The Matadors  ‎– Classic


The Matadors reunited in 1991 and made rare public appearances until 2008. Otto Bezloja died in 2001.ing as a “special guest” of Radim Hladik’s The Blue Effect as of 2010.

VA - Beat (Al)Boom 1968-1970

VA - Beat (Al)Boom 1968-1970


It may (still) not be common knowledge yet, but one of Europe's
best beat scenes of the '60s could be found in Czechoslowakia.
This awesome DOUBLE-CD compilation contains recordings from
essential representatives s.a. The Blue Effect (3 tracks), Blue Effect & Jazz Q Praha, Martha A tena Elefteriadu (3 tracks), Flamingo (3 tracks), Fortuna (3 tracks), Framus Five (3 tracks), George & Beatovens (3 tracks), Pavol Hammel & Prudy (3 tracks), Josef Laufer A Their Majesties (3 tracks), The Matadors (3 tracks), Pavel Novak A Vox, Olympic (6 tracks), Josef Pliva & Vaclav Zahradnik Orchestra, Prudy (3 tracks), The Rebels (3 tracks) and Hana A Petr Ulrychovi & Atlantis (3 tracks).

CD1: 

Olympic: 
01. Dědečkův duch 2:20 
02. Línej skaut 2:14 
03. Dám zejtra zas flám 2:30 

The Matadors / Sodoma: 
04. Bad Bad Bird 2:32 
05. I Feel So Lonely 4:09 
06. I Must Hope 3:35 

Rebels / Orchestr Václava Zahradníka: 
07. Perníková chaloupka 2:18 
08. Hrnečku, vař! 2:45 
09. Free Advice 2:54 

Josef Plíva: 
10. The Final End (Definitivní konec) 2:38 

Fortuna: 
11. Blázni z Detroitu 2:59 
12. Podomní prodavač srdcí 2:53 
13. Dej si hlavu do mých dlaní 3:17 

Prúdy / Pavol Hammel: 
14. Zvonky, zvoňte 3:36 
15. Poď so mnou 3:42 
16. Keď odchádza kapela 3:35 

Framus Five / Michal Prokop: 
17. Got My Mojo Working 4:20 
18. Around And Around 2:47 
19. I Believe To My Soul 3:22 

Petr Ulrych / Hana Ulrychová - Atlantis: 
20. Leží nade mnou kámen 2:58 
21. On na mne zapomíná 3:14 
22. Za vodou, za horou 4:16 

Olympic: 
23. Pták Rosomák 2:52 
24. Z bílé černou 2:38 
25. Kamenožrout zelený 3:37 

CD2: 

Blue Effect: 
26. Stroj na nic 2:24 
27. Rainy Day 3:59 
28. Deserted Alley 3:14 

Flamingo / Marie Rottrová: 
29. Blues řetězů (A Change) 2:28 

Flamingo / Petr Němec: 
30. Černej pán (I've Got Dreams To Remember) 3:40 
31. Quasimodův sen 7:02 

George & Beatovens - Petr Novák: 
32. Víc než nic 3:17 
33. Esther 5:00 
34. Sedm prázdných dnů 2:41 
35. Abraka dabraka 2:24 
36. Pieseň pre nikoho 2:48 
37. Stromy 2:48 
38. Svatojánská pouť 4:01 
39. Dál než slunce vstává (Midnight Special) 3:47 
40. Dnes večer nejsem k mání 1:51 
41. Kočičí král Felix 3:02 
42. Píseň o starci, snu a dešti 3:21 
43. Začíná máj (The Wreck Of The Antoinette) 2:59 
44. Devět a půl klobouku 3:04 
45. Útěk z hladomorny 2:31 
46. Mlejn (Spinning Wheel) 3:26 
47. Návštěva u tety Markéty, vypití šálku čaje 6:00

VA - Beat (Al)Boom 1968-1970

Arianie - Na niejednej stacji 1971 - 1983

Arianie - Na niejednej stacji 1971 - 1983

Firma fonograficzna Kameleon Records wydała  dwupłytowy album kieleckiej grupy Arianie. Już sama ilość nagrań zawartych na tych dwóch płytach jest imponująca. A fakt, że - chyba po raz pierwszy w historii - wydano na cyfrowym nośniku przekrojowy materiał zespołu, zadowoli fanów formacji i polskiego bigbitu.
A na stronie wydawcy możemy o albumie przeczytać:

"Na podwójnym wypełnionym po brzegi albumie znalazło się aż 45 utworów z lat 1971-1983 oraz jedno dodatkowe nagranie z 2005 roku. Wszystkie utwory po raz pierwszy na CD. Ponad 155 minut muzyki. Materiał zremasterowany z oryginalnych taśm matek
Zawarte na albumie dokonania muzyczne Arian, w modelowy sposób portretują trendy rozwoju naszej muzyki rockowej w latach 70. i 80. (od ambitnego niekomercyjnego rocka do przebojowych, lekkich nagrań inspirowanych popem i muzyką disco).
Na płycie znajdziemy fantastyczne, surowe 4 czysto rockowe nagrania z 1972 roku (20 minut muzyki), nawiązujące trochę do twórczości Romualda i Romana oraz undergroudu – już sam ten materiał sprawia że krążek powinien znaleźć się w każdej poważnej kolekcji płyt z naszym rodzimym rockiem, ponadto na CD znajdziemy swoistą mieszankę jazzu, psychodelii i poezji śpiewanej (Modlitwa, Złocienie, Zachód jesienny). Środkowy okres działalności zespołu to nagrania nawiązujące do folk rocka spod znaku No To Co, czy Dwa Plus Jeden: Czarownice, Kalina, Łubinowa miłość, Lato już, Gdybym ciebie wtedy nie spotkał na moście. Na przełomie lat 70. i 80. zespół zaczął dryfować w stronę melodyjnego pop-rocka okraszonego ciekawymi brzmieniami analogowych syntezatorów: Świat dla zakochanych, Bądź mi uśmiechem, Postaw na mnie.
Najnowsze nagrania z albumu (urozmaicone fajnymi solówkami gitary i nieszablonowymi partiami instrumentalnymi) w udany sposób nawiązują do stylu Izabeli Trojanowskiej i Budki Suflera: Na niejednej stacji, Nie wiem kiedy wrócę, Czy można tak?, Szklany klos
Dodatek specjalny to współczesna nieco rozbujana wersja utworu Zabita woda, udowadniająca że grupa wciąż potrafi zagrać z prawdziwie rockowym zębem
Dzięki współpracy z zespołem udało się odtworzyć składy oraz daty powstania poszczególnych nagrań. 
Dwie płyty uzupełnia 20-stronicowa kolorowa książeczka zawierająca mnóstwo unikatowych fotografii oraz kompetentną notkę o zespole."


Arianie - Na niejednej stacji 1971 - 1983 (2018) 


Arianie - Na niejednej stacji 1971 - 1983

Arianie - Na niejednej stacji 1971 - 1983

Arianie - Na niejednej stacji 1971 - 1983

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Filipinki – Nie Ma Go (1968)Filioinki -  Nagrania Radiowe Z Lat 1963-1972 [Z Archiwum Polskiego Radia]The Beatmen - The Beatmen VA - Big Beat Line 1965-1968Czerwono Czarni&Katarzyna Gartner - Msza beatowa, Pan przyjacielem moim (1968) fVA - The Polish Beat From Radio Vaults 1965-67Czerwone Gitary -  To właśnie my (1966)The Matadors  ‎– ClassicVA - Beat (Al)Boom 1968-1970Arianie - Na niejednej stacji 1971 - 1983

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