close

Althouse | category: over-complication

home

Althouse

an endless succession of beans and nuts.

althouse.blogspot.com

The complicated woman and the complicated man.

My son John comments on a NYT post at Facebook.

This is a variation on a point I've made a few times: The mainstream media present whatever is true of the woman as good. If the same quality were found to be true of a man, it would be presented as bad.

In this case — complicatedness — is something that — in a woman — feels intriguing and sophisticated. But what the hell is a "complicated man"? We're not wasting our time exploring his psyche. Screw him. He's an asshole.

But the complicated woman....

Just say no.

Just say no. 
In the end, I walked away from the complicated transaction they offered me, which could have netted me $300 but would have required $30 up front and taken up my attention and time. On the up side, I have this post for you. And you see that guy on the right, by the big screen? He was leading a class for whoever gathered on those empty cubes, which was no one, but he did the same spiel, with energy and expression. I was justing doing my tedious waiting, but every time I glanced at him, he seemed heartened to find at least one person within the zone he could consider his audience. What if everyone began glancing over and began to listen and then gradually converge and even sit on the cubes? Hope was alive. For me. For him. But it was not to be. He finished his spiel unheeded, and I walked out with with the cracked iPhone I had when I walked in.

I wish they'd just said no at the start. It irks me to think that $300 is the amount I will put time into trying to get. Only a bit of time. Just enough to feel as though I'd lost $300. How little would it need to have been before I'd have just given up and spent only 3 minutes in the store? How much would it need to have been before I'd have risked $30 and spent more time? All I know is that I learned something about myself and the amount that is $300.

"[T]he gap between Covid-19 mortality and overall excess mortality has proved remarkably, and mystifyingly, persistent...."

Writes David Wallace-Wells, in "Why Are So Many Americans Dying Right Now?" (NYT).

[A]lmost every week for more than six months, the agency has calculated that total excess mortality was 50 percent larger than and often almost twice as large as the number of official Covid-19 deaths.... What are the hypotheses? 

The first is delayed care [caused by the pandemic]....

A second hypothesis is about the indirect effects of pandemic restrictions... social isolation, anxiety... unemployment, which can worsen a wide range of conditions, as well as, potentially, suicide and homicide and even car accidents and overdoses....

A third hypothesis is that Covid-19 infection does harm to the body that can linger after recovery for some people....

If you are waiting for "a fourth hypothesis, the vaccine," I can tell you it is not in this article. The vaccine is mentioned but not as a possible cause of the excess deaths. But Wallace-Wells discusses a subset of the "third hypothesis" as "another hypothesis":

Another hypothesis is that Covid infection damages immune function in some patients in a long-lasting way....

So the damage to the immune function, if any, is presumed to come from the disease and not the vaccine. Wallace-Wells notes that there is "a lot of contestation and pushback against — and contextualizing," but only about the effect of the disease. Questioning the vaccine cannot even be a hypothesis. He proceeds to talk about how our emotions drive our thinking on the subject:

Among the many lessons of the pandemic, for me, has been how much more complicated and baffling disease severity and death are.... how simplistic it often feels to apply a single cause of death.... Yet we’ve wanted stories we drew from the pandemic to be straightforward and legible, no matter how messy and nuanced so many cases turned out to be....

Does this want cause you to exclude the complicating factor that is the vaccine? As I write this, I am feeling the fear of questioning the vaccine. 

Here's the parenthetical in the article where Wallace-Wells excludes the vaccine:

If long Covid or post-acute sequelae were primarily responsible [for the excess deaths], we might expect to see a spike in non-Covid excess deaths at some interval following each particular wave of infection — perhaps a few weeks or perhaps a few months later. (If vaccination risk was playing a role, it might create the same pattern, but that’s not what the curves show.) 

There is also the idea that the excess mortality is really made up of deaths from Covid that were not registered as Covid deaths because they died at home and why test for Covid when the death certificate can say heart disease?

Throughout the pandemic, about 20 percent of in-hospital deaths have been attributed to Covid-19, compared to barely 2 percent of deaths at home. If you roughly triple the share of at-home deaths attributed to Covid — still well short of the share in hospitals — you make the Covid death toll a bit larger but almost entirely eliminate the excess excess gap. And if you adjust it to match the share of deaths attributed to Covid everywhere but homes — hospitals, outpatient clinics, nursing homes — you actually overshoot the gap....

That sounds quite plausible, but I note the emotion in my desire to embrace it. It's the most comforting thought. People who died were old and already in bad health, and Covid knocked them off relatively peacefully. They died at home. And they were expected to die. They'd reached the end of their life. Nothing strange is going on. Rest easy.

"Where does this leave us?," the last paragraph of the article begins. And here comes the one other mention of the vaccine:

More Americans are still dying than expected, which means at some point the United States may have to reset its expectations for how many will die in a given year at least a bit higher. The country long ago walked away from most mitigation measures beyond vaccination. (And even there, booster uptake has been quite low.)...

You can see that the reference to the vaccine is entirely positive. The only fault is only in us: We're not continuing to take it.

"This Biennale, which runs through Sept. 18, is serious. Very serious. It verges on humorless...."

"[The curator's] statement notes that today’s 'profusion of sprawling, monumental exhibitions' mirrors 'the material excesses' of global capitalism, and asks: 'So why add yet another exhibition to this?' The answer he reaches is that art — perhaps uniquely — can reclaim our attention from algorithmically enforced social control.... Mai Nguyen-Long’s 'Vomit Girl' and 'Specimen' sculpture series... grapple with the aftermath of Agent Orange bombings in Vietnam.... Even blunter are Mayuri Chari’s vulvas sculpted from cow dung... address the shaming of women’s bodies in India amid conservative Hinduism’s obsession with purity.... This Biennale is... all over the place — one must study the scatter in an attempt to understand the collision that produced it. Its contradictions, I suspect, reflect those of the 'decolonial'.... Whereas decolonization in the classic sense was a political, territorial project with no inherent grievance against modernity, today’s 'decolonial practice' is about changing systems of knowledge — a woolier, potentially endless project. This Biennale is presented as a gathering of 'decolonial strategies.' The task... is tending 'all of the wounds accumulated throughout the history of Western modernity.'... This Berlin Biennale feels... overloaded by its own conceptual apparatus...."

"For April Fools’ Day in 2016, Wardle made Robin... Two strangers were paired in a small chatroom and then given three options..."

"... stay in the small room, merge with others to form a bigger room, or abandon the chat. The moral of the game was that bigger is not always better, and people seemed to get it. 'Much like reddit, it starts small and you can talk to people, then it gets bigger and shittier and noisier,' the top-voted comment read. 'Can confirm,' the next comment read. 'Started with 2 people, was pleasantries. With 16, its a noise chamber.' Wardle told me, 'Very quickly, as eight becomes sixteen becomes thirty-two, you start to see spam, name-calling—all the classic terrible Internet stuff.' Still, he added, most people chose to keep merging: 'There seems to be something compelling about the competition to become the biggest room, even if you know it’s going to be painful.'"

From "Does Wordle Prove That We Can Have Nice Things on the Internet?/Josh Wardle created the viral game as part of his ongoing quest to design online spaces that don’t devolve into spam and swastikas" (The New Yorker).

"Every one who has had the misfortune to talk with people in the heart or on the edge of mental disorder, knows that their most sinister quality is a horrible clarity of detail..."

"... a connecting of one thing with another in a map more elaborate than a maze... If you argue with a madman, it is extremely probable that you will get the worst of it; for in many ways his mind moves all the quicker for not being delayed by the things that go with good judgment. He is not hampered by a sense of humor or by charity, or by the dumb certainties of experience. He is the more logical for losing certain sane affections. Indeed, the common phrase for insanity is in this respect a misleading one. The madman is not the man who has lost his reason. The madman is the man who has lost everything except his reason."

From "Orthodoxy" by G. K. Chesterton.

Why would Democrats take advice from Bill Kristol?

I'm reading "The Simple Answer/Don't overthink your Super Tuesday vote" by Bill Kristol (Bulwark).

There's an illustration of a Joe Biden wearing a blue Make America Great Again hat and smiling boyishly.

Under the illustration is a quote from Ronald Reagan: "They say the world has become too complex for simple answers. They are wrong. There are no easy answers, but there are simple answers."

From the Kristol text:
You are a normal American. You don’t like demagogues of the right or the left. You want competent, responsible governance somewhere in the vicinity of the broad center. You cherish American exceptionalism, and you know that means rejecting European-style demagoguery of the right and left that exploits people’s anxieties and seduces them with false promises. You dread a future featuring an authoritarian and illiberal party facing off against a socialist and illiberal party. And so you don’t want to face a choice–you don’t want the country to face a choice– between Donald Trump and Bernie Sanders in November.

What are you to do?...
Duh! You vote for Biden.

Hey, I have just the right tag for this: "over-complication."

ADDED: I had to publish this post to click on my "over-complication" tag, and the most recent post with this tag — from January 11th — says:
ADDED: I had to publish this post to click on my "over-complication" tag, which I probably could have used a few more times if I'd kept it in mind. It's the kind of tag I love, specific but abstract, so it collects things from scattered topics that resonate. Today's post is only the 6th time I've used it since I created it in 2009 to observe that I'd "crossed the over-complication line" with a post that had a strange set of tags ("abortion, Althouse + Meade, Beccah Beushausen, beer, blogging, dolls, fake, James Frey, Meade, Oprah, Orson Welles, prayer, writing"). It took me a year to use it again, with this great quote from Gertrude Stein: "She always says she dislikes the abnormal, it is so obvious. She says the normal is so much more simply complicated and interesting." Didn't use it again until 2011 — "A Very Simple Venn Diagram of Where the Tea Party and Occupy Wall Street Agree" — and then once in 2017 (a labyrinthine sentence about feminism) and once in 2019 (a New Yorker critic bothered by the complexity of the movie "Joker").
The topic of that January 11th post was, like this post today, the Biden vs. Sanders question. But things were different then. Nate Silver had written:
So while Biden’s in a reasonably strong and perhaps even slightly underrated position, it’s slightly more likely than not that Biden won’t be the nominee. Sen. Bernie Sanders has the next-best shot... Like all of our models, it’s empirically driven... Since the primaries themselves are fairly complex process, the model is fairly complex also.... Models with more complexity are easier to screw up and can be more sensitive to initial assumptions....

"So while Biden’s in a reasonably strong and perhaps even slightly underrated position, it’s slightly more likely than not that Biden won’t be the nominee."

"Sen. Bernie Sanders has the next-best shot, with a 22 percent chance at a majority, followed by Sen. Elizabeth Warren at 12 percent and former Mayor Pete Buttigieg at 10 percent. There’s also a 14 percent chance — about 1 in 7 — that no one will win a majority of pledged delegates by June 6, which could lead to a contested convention. The model works by simulating the nomination race thousands of times, accounting for the bounces that candidates may receive by winning or losing states, along with other contingencies — such as candidates dropping out and polls moving in response to debates and news events. Like all of our models, it’s empirically driven, built using data from the 15 competitive nomination races since 1980. Since the primaries themselves are fairly complex process, the model is fairly complex also — which we mean as a warning as much as a brag. Models with more complexity are easier to screw up and can be more sensitive to initial assumptions — so we’d encourage you to read more about how our model works."

Nate Silver explains, using his amazing science.

ADDED: I had to publish this post to click on my "over-complication" tag, which I probably could have used a few more times if I'd kept it in mind. It's the kind of tag I love, specific but abstract, so it collects things from scattered topics that resonate. Today's post is only the 6th time I've used it since I created it in 2009 to observe that I'd "crossed the over-complication line" with a post that had a strange set of tags ("abortion, Althouse + Meade, Beccah Beushausen, beer, blogging, dolls, fake, James Frey, Meade, Oprah, Orson Welles, prayer, writing"). It took me a year to use it again, with this great quote from Gertrude Stein: "She always says she dislikes the abnormal, it is so obvious. She says the normal is so much more simply complicated and interesting." Didn't use it again until 2011 — "A Very Simple Venn Diagram of Where the Tea Party and Occupy Wall Street Agree" — and then once in 2017 (a labyrinthine sentence about feminism) and once in 2019 (a New Yorker critic bothered by the complexity of the movie "Joker").

"'Joker' reflects political cowardice on the part of a filmmaker, and perhaps of a studio, in emptying out the specifics of the city’s modern history and current American politics so that the movie can be released as mere entertainment to viewers who are exasperated with the idea of movies being discussed in political terms—i.e., to Republicans...."

"[T]he movie plays into the hands of current-day political rhetoric—namely, the emphasis by Republicans who, when it comes to gun control, would rather deny weapons to the mentally ill than restrict weaponry for everyone. In the wake of Arthur’s killing spree, a public figure—Thomas Wayne (Brett Cullen), a wealthy banker for whom Penny worked decades earlier, and who, of course, is the father of a boy named Bruce—speaks of killers such as Arthur as 'clowns.' This comment gives rise to a sudden mass movement of activists who dress like clowns and target the rich and the powerful. The trope resembles Hillary Clinton’s reference to many of the supporters of Donald Trump as 'deplorables,' a term that was adopted by some as a badge of honor—except in 'Joker' the epithet applies rather to radicals on the left, who loom as a menace waiting to happen...."

From "'Joker' Is a Viewing Experience of Rare, Numbing Emptiness" by Richard Brody (in The New Yorker).

Brody is bothered by the movie's "incoherence," and I think he's mostly annoyed that the comic-book material isn't organized according to a comic-book politics of right and left. He calls the movie "empty" over and over, but it seems as though he's bothered by complexity — there's too much and it's not composed in a stark, easily recognized pattern.

Sentence of the day.

"Reading that second line, I immediately thought of an irksome scene in Megyn Kelly’s memoir, in which Kelly tells Sheryl Sandberg that she’s not a feminist, and Sandberg—whose entire feminist initiative is based on making the movement palatable to people like Kelly, and whose awkward accommodation of the Trump Administration should surprise no one—'passed no judgment' on Kelly’s distaste for the term."

Let me rewrite that with a bracketed phrase for "that second line":
"Reading [that the 'majority of women benefited from the work of these few {radical, heavily invested women}, while often quickly trying to disassociate themselves from them'], I immediately thought of an irksome scene in Megyn Kelly’s memoir, in which Kelly tells Sheryl Sandberg that she’s not a feminist, and Sandberg—whose entire feminist initiative is based on making the movement palatable to people like Kelly, and whose awkward accommodation of the Trump Administration should surprise no one—'passed no judgment' on Kelly’s distaste for the term."
The sentence is from "The Case Against Feminism," by Jia Tolentino (in The New Yorker), reviewing "Why I Am Not a Feminist," by Jessa Crispin. It's all very labyrinthine and tied up in knots, but the simple idea is that there's radical feminism and mainstream feminism.
The complicated woman and the complicated man.Just say no.

Report "Althouse"

Are you sure you want to report this post for ?

Cancel
×