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Gurney Journey

This daily weblog by Dinotopia creator James Gurney is for illustrators, plein-air painters, sketchers, comic artists, animators, art students, and writers. You'll find practical studio tips, insights into the making of the Dinotopia books, and first-hand reports from art schools and museums.

gurneyjourney.blogspot.com

Skimmers in Poseidos

Skimmers in Poseidos
Skimmers are floating vehicles based on the design of trilobites and other Cambrian and Permian arthropods.

Skimmers in Poseidos
I originally produced this small painting as a concept for a virtual-reality ride simulator. Note the riders seen through the windscreen of the main vehicle.

Skimmers in Poseidos

I included the artwork in the book First Flight, which is set in Poseidos, the high tech capital of ancient Dinotopia. In this spun-off sub-universe, people and dinosaurs challenge a dystopian society of drones, surveillance, and AI-powered robots, all of which have become increasingly relevant in the 23 years since the book came out.
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(Link for signed copies)






Using Historical Reference Photos for Sci-Fi Paintings

Blog reader Jeff Jordan asks: "I was wondering if you're using gouache strictly as a sketching medium, or if you've done or are doing finished works, illustrations, whatever, in gouache?"

Jeff, yes, I love using gouache for illustrations of vehicles, robots, and architecture. For example, this small (about 6x12") painting: "The Sinking of the Hagfish" shows a giant fish-like ship, burning and sinking, with its survivors standing along the top, hoping to be rescued.

Using Historical Reference Photos for Sci-Fi Paintings
It's part of Dinotopia backstory development, documenting dramatic events thousands of years ago in Dinotopia's Age of Heroes, when humans and saurians defended Dinotopia from an invasion of drones and mech dinos from Poseidos.

Using Historical Reference Photos for Sci-Fi Paintings

The inspiration for this composition came from this historic World War II photo of the burning carrier "Franklin" off the coast of Japan after it was struck by two bombs. Over 772 of the crew were lost, but the ship returned to port on its own steam.

In my composition, I kept the figures on the far left watching the unfolding drama. The feeling that we're among those watching adds a sense of vérité to the science fiction image.

The painting appears in the expanded edition of Dinotopia: First Flight.

Bongo, the Plesiadapis

Bongo, the Plesiadapis

Bongo is a good animal to have on your team. He's 3.5 feet long and likes to eat frogs and nuts. He's good at rock climbing, with a good hand with the lasso. In his backpack tool kit he's got a rope, a grappling hook and a hammer, and he knows how to use them.

In Dinotopia: First Flight, I was excited to include some of the mammals from the fossil record, such as Plesiadapis, since we tend to fixate so much on dinosaurs. I was inspired by Joseph Campbell's idea of hero partners with specific skills and talents who join you on a quest.

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Dinotopia: First Flight (signed)

Dinotopia Figurines

Dinotopia Figurines
Soon after the first Dinotopia book was published, a lot of people were interested in seeing the idea translated into other forms, such as collectable figurines. I did a few sketches to explore the concept, and the idea appealed to me, but I never pursued it because of time. Either I would have to sculpt them, or I would have to supervise someone else doing it. I decided my time was better spent making writing and illustrating books.

Combining Pencil and Oil


Combining Pencil and Oil 

Our boat brought us to a settlement of crested hadrosaurs and their human assistants, where we spent a few days drying out in the smoky attics of their houses" 

The painting is done in oil wash over pencil on illustration board, which has been sealed first with some workable fixative spray and then with a thin layer of acrylic matte medium. 

Combining Pencil and Oil
Dinotopian flight instructor Oolu holds a lightweight skybax saddle. 

Combining Pencil and OilThis technique is fast, direct, and reproduces well. 

handeyeoriginals asks: "What do you thin the oils with to make the wash?"

Answer: Liquin (a fast-drying alkyd medium) and Gamsol (a mineral solvent). Note that both of those are toxic, so you need good ventilation and protection for the skin of your hands.

    joeybruceartWhat’s the advantage of an oil wash instead of watercolour?
    Colour? Vibrancy?

    Answer: It's workable for a longer period and it blends well with opaques.

Illustrations from Dinotopia: A Land Apart from Time.



Using motion blur in an oil painting

Here's an oil painting that uses motion blur effects. 
Using motion blur in an oil painting
I had to imagine which parts of the pose were moving in which directions and at what speed. 

Using motion blur in an oil painting

The arms are swinging up, and the feet are swinging outward from the knee. The imaginary “camera” is also panning right to track the action, which horizontally blurs the out-of-focus background detail.
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From Dinotopia: First Flight (on Amazon) or (signed at my website)
Dinotopia Audio Drama Skimmers in PoseidosUsing Historical Reference Photos for Sci-Fi PaintingsBongo, the PlesiadapisInside the Dinotopia Pop-Up BookRaces in Skybax CanyonDinotopia FigurinesCombining Pencil and OilTake me to DinotopiaUsing motion blur in an oil painting

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