Folk Songs for Trauma Surgeons by Keith Rosson - Blog Tour - Excerpt - Giveaway!
Source: qwillery.blogspot.com
Sylvie never called them ghosts, but that’s what they were—not that George ever saw them herself. The new girl, Sylvie, is like a creature from another time, with her old-fashioned leather satchel, her white cotton gloves and her head in the clouds. George watches her drift around the edge of the school playing fields, guided by inaudible voices.
When George stands up for Sylvie, beating back Tommy Payne and his gang of thugs, it brings her close to the ethereal stranger; though not as close as George would have liked. In the attic of Sylvie’s father’s antique shop, George’s scars will sing and her longing will drive them both toward a tragedy as veiled and inevitable as Sylvie’s whispering ghosts.
Demons and serial killers are Iona "Sully" Sullivan's bread and butter, but nothing could have prepared her to face off against the full weight of the British Empire at the height of its power. With the War for American Independence in full swing, she finds even her prodigious talents pushed beyond their limits when citizens of the American Colonies begin vanishing amidst rumors of crop circles, hydra sightings and worse. Through a wild and lethal adventure that will see her clashing with the Empire around the world and beyond, the only constants in Sully's life are an undead girlfriend, a giant demon crow that has taken a shine to her, regular assassination attempts by enemies on all sides, and the cold certainty that nothing and nobody is going to make it out of the war in one piece.
Mark Sandoval—resolutely arrogant, covered head to foot in precise geometric scarring, and still marginally famous after Hollywood made an Oscar-winner based off his memoir years before—has been strongly advised by his lawyer to leave the country following a drunken and potentially fatal hit and run. When a woman sends Sandoval grainy footage of what appears to be a unicorn, he quickly hires an assistant and the two head off to the woman's farm in Hvíldarland, a tiny, remote island off the coast of Iceland. When they arrive on the island and discover that both a military base and the surrounding álagablettur, the nearby woods, are teeming with strangeness and secrets, they begin to realize that a supposed unicorn sighting is the least of their worries.
Can a writer of short fiction productively apply a model of stories-within-a-story to build a novel; and if so, what techniques or experiences are transferable from one form to the other?In Claiming T-Mo I created purposeful adaptations, embedded vignettes layered, and amounting to a cohesive novel that is almost like a story circle. It flows smoothly from one point to another, each story part bearing a concealed self-sufficiency interlinked and layered into a composite. And I bet you won’t notice.
Does literary writing contribute to the quality of works in science fiction, fantasy or speculative fiction?
Q. Is there a sequel?
A. No. (I think the story is complete within itself.)
Q. How do you pronounce Myra?
A. My (as in ‘my name is…) Rah (as in ‘ra-ra-rasputin’)
T-Mo happened exactly one week after the puzzle-piece woman with fifty-cent eyes. —in Salem’s story
It started with a name. And ended in a swim. —in Myra’s story
In this lush interplanetary tale, Novic is an immortal Sayneth priest who flouts the conventions of a matriarchal society by choosing a name for his child. This act initiates chaos that splits the boy in two, unleashing a Jekyll-and-Hyde child upon the universe. Named T-Mo by his mother and Odysseus by his father, the story spans the boy’s lifetime — from his early years with his mother Silhouette on planet Grovea to his travels to Earth where he meets and marries Salem, and together they bear a hybrid named Myra. The story unfolds through the eyes of these three distinctive women: Silhouette, Salem and Myra. As they confront their fears and navigate the treacherous paths to love and accept T-Mo/Odysseus and themselves, the darkness in Odysseus urges them to unbearable choices that threaten their very existence.
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