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Guest Blog by Max Gladstone - Place as character in the Craft Sequence - July 22, 2014


Please welcome Max Gladstone to The Qwillery. Full Fathom Five, the 3rd novel in the Craft Sequence, was published by Tor on July 15, 2014.



Guest Blog by Max Gladstone - Place as character in the Craft Sequence - July 22, 2014




Place as character in the Craft Sequence

A dragon lived in the woods near the school where I grew up.

A tall thin tree, maybe a cedar, had grown somehow bent into a V: its trunk curved down sharp ten feet above the ground and descended. Then it died, but stayed standing. Insects and rain chewed most of the down-angled slope to a thin rail. Above, where mandibles had not yet reached, the rail seemed to protrude from a long smiling mouth. A thick red knot above the mouth formed an eye. So: dragon.

I paid the dragon respects each time I passed on my way to the bluff. He seemed to appreciate it.

The magic of my adolescence was the magic of middle Tennessee, which is to say of trees and stone and hidden pools without obvious source. Every quarry had a body in it somewhere. Having moved south from Ohio, I could only remember the magic I'd left, of horizon-spanning Lakes and strange coolant towers, of freezing wind and freshwater hurricanes that tore the roofs off local high schools. Tennessee magic was softer and subtler, magic of shadows and green smells, of living things and unrestrained wild, of copses beyond which you'd find only deeper woods. In middle Tennessee, as in much of America, the door through the hedge leads to more hedge. The plateaus of my youth crossed state lines. Below them stretched horizons of patchwork farm country. Local magic was deep and squirrely, by turns vicious or oppressive as the heat, or liberating, terrifying: an orb weaver with a body the size of my fist suspended in the center of a clearing on a jeweled web anchored to trees ten yards apart.

All magic has its place, I guess is what I'm trying to say, and every place has its magic. Each person's relationship to and sense of that magic may differ, but the magic remains.

Writing fantasy, I try to understand the contours of a place's magic. If I don't, no system I create, no strange creatures I invite into a story, will feel at home within. Ted Chiang describes a magical worldview as one that supposes the world's in relationship with you—and in that sense place-magic absolutely exists, even if we don't want to give my experience of a place's magic any more reality than a sort of Feuerbachian projection of my own feelings about the place's feelings about me. But the sensation's real, and if we want to investigate definitions and layers of reality we'll be here through a philosophy thesis and into next year, so let's just assume that Achilles eventually crosses the finish line and magic—or a sort of it—exists.

When I create a setting, though—or knock a real setting over the back of the head and drag it off into fantasyland—I need to think carefully about the kind of magic the place I'm writing would possess. Dresediel Lex, the setting of my book TWO SERPENTS RISE, was a kind of LA / Beijing hybrid city, dry and dusty and hot and crystal, defined by its lack of water. It was afraid of fire and poison and moving earth. It loved the sun, and color, and dancing, and the ocean. It glanced hastily over its shoulder toward the seat of government. That shaped the magic—and the perspective appropriate to the book. Basically, my main character needed to be someone more at the mercy of his place's magic than in control of it.

In FULL FATHOM FIVE, my new book, I needed new magic—less desert and more island. I was lucky enough to be able to travel, and draw on old kayaking experience and a few years of working near a port, so beaches and forest and sea air were fresh to my memory. My island of Kavekana is a sort of financial services hub for the global magical economy, and does a brisk tourist trade to boot, which leaves the society sharply stratified and torn away from itself—and also shapes the magic of the place and characters' responses to it.

For more inspiration I studied millennialist "cargo cults," which make more sense the more you learn about them—as far as an observant Pacific Islander in the 19th century could tell, colonists received finished goods from their ancestors over the sea. Missionaries certainly weren't making those rifles themselves! (If we read "established capital" for "ancestors," which there's no reason we shouldn't because they're basically the same thing, the locals were 100% correct in their interpretation of observed phenomena!) Why weren't locals receiving cargo from their ancestors? Because their ancestors' shipments were being blocked, or even stolen! Perfectly logical. Not precisely right for the political situation on Kavekana, or the metaphysical background of the Craft Sequence in general, but a good reminder that local beliefs which seem silly to folks from an imperial culture often aren't silly at all. Also the history suggested a number of symbolic parallels with offshore banking, a subject I wanted to investigate anyway

So we have Kai, a freelance priestess whose job is to build lifeless idols that mimic the effects of gods, and Izza, a storyteller and leader of a band of kids who have built their own street mythology outside the supervision and control of the island's sanctioned priesthood. Local horrors are built of freedom and control, and the illusion of each in which the other hides. Characters' anxieties revolve around telling the truth or having their true face seen, accepting lies told and identities provided or rejecting both, around telling and hearing stories. The nation hovers on the blade of a knife, trying to chart an independent existence in a complicated and dangerous world.

I don't mean by all this to suggest that one must start with place first—I don't even mean that I always, or even ever, start with place alone. An idea or a character or a setting or a cool turn of phrase or whatever gets me writing is just the first stone on a multidimensional Go board, and as I continue the game (against who? I don't know her name exactly, but my adversary's patient and always grinning…) the walls and structures build and reinforce one another. But place-magic is an important corner of the board, and if I don't understand how it connects to everything else, I've at best lost myself territory, at worst created a group doomed to strangling death.

And on top of that, it's fun. Because when you ask places about their magic, you get to meet their dragons.





Full Fathom Five
Craft Sequence 3
Tor Books, July 15, 2014
Hardcover and eBook, 384 pages

Guest Blog by Max Gladstone - Place as character in the Craft Sequence - July 22, 2014
On the island of Kavekana, Kai builds gods to order, then hands them to others to maintain. Her creations aren’t conscious and lack their own wills and voices, but they accept sacrifices, and protect their worshippers from other gods—perfect vehicles for Craftsmen and Craftswomen operating in the divinely controlled Old World. When Kai sees one of her creations dying and tries to save her, she’s grievously injured—then sidelined from the business entirely, her near-suicidal rescue attempt offered up as proof of her instability. But when Kai gets tired of hearing her boss, her coworkers, and her ex-boyfriend call her crazy, and starts digging into the reasons her creations die, she uncovers a conspiracy of silence and fear—which will crush her, if Kai can't stop it first.

Full Fathom Five is the third novel set in Max Gladstone's addictive and compelling fantasy world of Three Parts Dead.




Previously in the Craft Sequence

Two Serpents Rise
Craft Sequence 2
Tor Books, April 29, 2014
Trade Paperback, 352 pages
Previously released in Hardcover and eBook, October 29, 2013

Guest Blog by Max Gladstone - Place as character in the Craft Sequence - July 22, 2014
In Two Serpents Rise by Max Gladstone, shadow demons plague the city reservoir, and Red King Consolidated has sent in Caleb Altemoc—casual gambler and professional risk manager—to cleanse the water for the sixteen million people of Dresediel Lex. At the scene of the crime, Caleb finds an alluring and clever cliff runner, Crazy Mal, who easily outpaces him.

But Caleb has more than the demon infestation, Mal, or job security to worry about when he discovers that his father—the last priest of the old gods and leader of the True Quechal terrorists—has broken into his home and is wanted in connection to the attacks on the water supply.

From the beginning, Caleb and Mal are bound by lust, Craft, and chance, as both play a dangerous game where gods and people are pawns. They sleep on water, they dance in fire...and all the while the Twin Serpents slumbering beneath the earth are stirring, and they are hungry.



Three Parts Dead
Craft Sequence 1
Tor Books, 336 pages
Trade Paperback, July 23, 2013
Previously released in Hardcover and eBook, October 2, 2012

Guest Blog by Max Gladstone - Place as character in the Craft Sequence - July 22, 2014
A god has died, and it’s up to Tara, first-year associate in the international necromantic firm of Kelethres, Albrecht, and Ao, to bring Him back to life before His city falls apart.

Her client is Kos, recently deceased fire god of the city of Alt Coulumb. Without Him, the metropolis’s steam generators will shut down, its trains will cease running, and its four million citizens will riot.

Tara’s job: resurrect Kos before chaos sets in. Her only help: Abelard, a chain-smoking priest of the dead god, who’s having an understandable crisis of faith.

When Tara and Abelard discover that Kos was murdered, they have to make a case in Alt Coulumb’s courts—and their quest for the truth endangers their partnership, their lives, and Alt Coulumb’s slim hope of survival.

Set in a phenomenally built world in which justice is a collective force bestowed on a few, craftsmen fly on lightning bolts, and gargoyles can rule cities, MAX GLADSTONE's Three Parts Dead introduces readers to an ethical landscape in which the line between right and wrong blurs.





About Max

Guest Blog by Max Gladstone - Place as character in the Craft Sequence - July 22, 2014
MAX GLADSTONE went to Yale, where he wrote a short story that became a finalist in the Writers of the Future competition. He lives in Boston, Massachusetts. Full Fathom Five is his third novel.










Website  ~  Twitter @maxgladstone  ~  Goodreads



What's Up for the 2012 Debut Authors in 2013? - Part 7

What are the 2012 Debut Author Challenge Authors up to in 2013?  This is the seventh in a series of posts.

See Part 1 here.
See Part 2 here.
See Part 3 here.
See Part 4 here.
See Part 5 here.
See Part 6 here.
See Part 8 here.
See Part 9 here.
See Part 10 here.
See Part 11 here.
See Part 12 here.



Ania Ahlborn

The Shuddering
47North, June 18, 2013
Trade Paperback and Kindle eBook, 294 pages

What's Up for the 2012 Debut Authors in 2013? - Part 7
Ryan Adler and his twin sister, Jane, spent their happiest childhood days at their parents’ mountain Colorado cabin—until divorce tore their family apart. Now, with the house about to be sold, the Adler twins gather with their closest friends for one last snowboarding-filled holiday. While commitment-phobic Ryan gazes longingly at Lauren, wondering if his playboy days are over, Jane’s hopes of reconciling with her old boyfriend evaporate when he brings along his new fiancée. As drama builds among the friends, something lurks in the forest, watching the cabin, growing ever bolder as the snow falls…and hunger rises.

After a blizzard leaves the group stranded, the true test of their love and loyalty begins as the hideous creatures outside close in, one bloody attack at a time. Now Ryan, Jane, and their friends must fight—tooth and nail, bullet and blade—for their lives. Or else surrender to unspeakable deaths in the darkened woods.




Madeline Ashby

iD
Machine Dynasty 2
Angry Robot, June 25, 2013 (US/Can Print / eBook); July 4, 2013 (UK Print)
Trade Paperback and eBook

What's Up for the 2012 Debut Authors in 2013? - Part 7
Javier is a self-replicating humanoid on a journey of redemption.

Javier’s quest takes him from Amy’s island, where his actions have devastating consequences for his friend, toward Mecha where he will find either salvation… or death.

File Under: Science Fiction [ vN2 | Island in the Streams | Failsafe No More | The Stepford Solution ]




Steve Bein

Year of the Demon
Fated Blades 2
Roc Trade, October 1, 2013
Trade Paperback and eBook, 480 pages

What's Up for the 2012 Debut Authors in 2013? - Part 7
A MASK OF DESTRUCTION

Detective Sergeant Mariko Oshiro has been promoted to Japan’s elite Narcotics unit—and with this promotion comes a new partner, a new case, and new danger. The underboss of a powerful yakuza crime syndicate has put a price on her head, and he’ll lift the bounty only if she retrieves an ancient iron demon mask that was stolen from him in a daring raid. However, Mariko has no idea of the tumultuous past carried within the mask—or of its deadly link with the famed Inazuma blade she wields.

The secret of this mask originated hundreds of years before Mariko was born, and over time the mask’s power has evolved to bend its owner toward destruction, stopping at nothing to obtain Inazuma steel. Mariko’s fallen sensei knew much of the mask’s hypnotic power and of its mysterious link to a murderous cult. Now Mariko must use his notes to find the mask before the cult can bring Tokyo to its knees—and before the underboss decides her time is up....




Alexa Egan

Shadow's Curse
Imnada Brotherhood 2
Pocket Books, September 24, 2013
Mass Market Paperback and eBook, 416 pages

What's Up for the 2012 Debut Authors in 2013? - Part 7
The second novel in the dark and sexy Imnada Brotherhood trilogy featuring shape- shifters in Regency-era England.

Suffering under a horrible curse and renounced by his clan, the Imnada shape-shifter, David St. Leger, stalks the London nights in the form of a large black wolf, channeling his desperate rage on thieves and murderers. But when he’s captured by the very woman he sought to rescue, he’s thrown into the magical and dangerous world of the Other—half human, half-Fey, and one of the Imnada’s ancient enemies.

Forced by her half-brother to use her gift of necromancy as a money-making scheme, Callista Hawthorne wants only to flee to her aunt in Scotland where she’ll be safe. Considering David her last hope, she offers him a deal—freedom in exchange for his protection on the long journey north.

Now in a race for their lives, Other and Imnada must put aside centuries of animosity and work together if they are to overcome the dark forces intent on stopping them before they reach safety. For Callista is far more powerful than she knows, and with her help and her love, David may finally be able to break the curse of the Imnada…




Max Gladstone

Two Serpents Rise
Craft Sequence 2
Tor Books, October 29, 2013
Hardcover and eBook, 352 pages

What's Up for the 2012 Debut Authors in 2013? - Part 7
Shadow demons plague the city reservoir, and Red King Consolidated has sent in Caleb Altemoc—casual gambler and professional risk manager—to cleanse the water for the sixteen million people of Dresediel Lex. At the scene of the crime, Caleb finds an alluring and clever cliff runner, crazy Mal, who easily outpaces him.

But Caleb has more than the demon infestation, Mal, or job security to worry about when he discovers that his father—the last priest of the old gods and leader of the True Quechal terrorists—has broken into his home and is wanted in connection to the attacks on the water supply.

From the beginning, Caleb and Mal are bound by lust, Craft, and chance, as both play a dangerous game where gods and people are pawns. They sleep on water, they dance in fire…and all the while the Twin Serpents slumbering beneath the earth are stirring, and they are hungry.


Guest Blog by Max Gladstone - Place as character in the Craft Sequence - July 22, 2014What's Up for the 2012 Debut Authors in 2013? - Part 7

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