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|Prototype Patek Philippe Cobra Movement|
|Prototype Patek Philippe Cobra Movement|
The project « green watch / Citypulse » was conceived under the programm Cities 2.0 of Fing (Fondation internet nouvelle génération). The aim is to multiply by 1000 the number of environmental sensors in the city, while encouraging people’s implication in measuring environmental indices, thus associating them directly to building a sustainable city.
The green watch comprizes a watch and two environmental sensors (ozone, noise). Data are regularly broadcasted via a mobile phone to an open platform called Citypulse which receives, stores and makes measure data available and anonymous. Data can then be used freely in order to be shown on maps, used in models, etc..
30 prototypes of the green watch will be tested in May 2009 by residents of the 2nd arrondissement of Paris (Digital District) and also during Futur en Seine, by highschool students of Montreuil (Maison Populaire), by researchers in the Cité des Sciences et de l’Industrie and by visitors of the wikiplaza, place de la Bastille. Maps made from data collected by these beta-testers will be available on the website
Air quality is a matter of urgent concern to residents of most large cities, and Paris is no exception. There are currently only 10 public sensors monitoring that important variable in the City of Lights, however, so a new initiative now aims to equip everyday citizens with a special device that can measure and report air-quality data regularly for collective use.
The Green Watch, or Montre Verte, is a specially equipped device worn on the wrist that includes not just a time piece but also a GPS chip, a Bluetooth chip, and ozone and noise sensors. At scheduled times—or on request of the wearer—the watch measures and saves air-quality and noise data, describing them in qualitative terms such as "good" or "bad." Those values are then returned to the user via the screen of his or her mobile phone in the image of an eye, where the colour of the eye's pupil indicates air quality while that of the iris represents noise. Finally, via the mobile phone, the watch sends the data to an open platform called Citypulse, either in real time via the mobile carrier or by synchronization when the user hooks the watch up to his or her computer. All measures are time-stamped, geolocated and saved; from there, they become available to anyone who wants to use them—and who has committed to an ethical charter. Potential uses include public matters such as mapping and citizen warnings, as well as business applications, such as services for people who suffer from asthma.
The Green Watch program is part of the Cities 2.0 program developed by FING, or the Fondation Internet Nouvelle Génération, as a way to increase the number of environmental sensors in Paris while also motivating citizens to take steps toward sustainability. Data from beta tests performed in May, with sponsorship from the Région Île-de-France and the Futur en Seine event, are currently available on the project's website. One to emulate—or sponsor—in a less-than-entirely-sustainable city near you...?Website: www.lamontreverte.org
Time is usually - nearly always - displayed by a circular indication: one dial and two (or three) with the time displayed around a perpetual circle. However, this 360° representation of time goes against everything we learnt as we grew up drawing a straight line on a blank page and marking it Past, Present and Future. Why do we think of time as travelling in a straight line yet display it rotating around a circle? The answer is straightforward: mechanisms that continually rotate are much simpler to produce than those that trace a straight line then return to zero. In fact, the latter is so difficult that, until now, nobody has ever managed to develop a production wristwatch with true retrograde linear displays.Linear. On the UR-CC1, there are two horizontal indications displayed by two retrograde cylinders: one for the (jumping) hours, the other for the minutes. And don't be lulled by the apparent simplicity of the displays; the UR-CC1 is the result of more than three years of research, development, production and testing to ensure that the rotation and instant fly-back of the large hour and minute cylinders was achieved without compromising accurate timekeeping.
The triple-cam is crafted from bronze beryllium, a metal selected for its inherently self-lubricating properties and low co-efficient of friction, and takes the form of three small inclines. The precise shape of the curve of the incline is relayed to the pivoting rack, while the teeth on the end of the rack mesh with and rotate the minute cylinder. The triple-cam makes a complete rotation in three hours so that each of the three inclines takes 60 minutes, and 180 points of reference have been calculated on each of the three cams to ensure the precise and isochronic rotation of the minute cylinder.Rack: The toothed segment at the end of the rack transmits and transforms the rotation triple-cam into the rotation of the minute cylinder. The toothed rack presents two properties that at first appear contradictory: absolute rigidity, so as to accurately transmit the motion of the cam to the minute cylinder; and extremely low mass to consume as little energy as possible and minimise the effects of gravity and accelerations/shocks. This vital component has been fabricated in nickel by Mimotec using their photolithography process. The honeycomb pattern of the nickel structure resolves the two apparently contradictory requirements of maximum strength and minimum weight.
Case: available in either grey gold with titanium case back (limited edition of 25 pieces) or black gold with titanium case back (limited edition of 25 pieces); brushed-satin finish
Movement: calibre UR-CC1; automatic winding regulated by “fly brake turbine” pneumatic shock absorber
Indications: linear display for hours and minutes with jumping hours and retrograde minutes ; second display both digital and linear
Dimensions: 45.7mm x 43.5mm x 15mm
Dial and Bridges: ARCAP P40. SuperLumiNova treatment on hours, minutes displays
Genesis of a creation
1958. Messrs Gilbert Albert and Louis Cottier combine their talents to create a watch destined to revolutionize the horological world. Their idea is completely outrageous: it is the world’s first watch to feature a linear display. It is an extraordinary, avant-garde piece that fulfils none of the aesthetic criteria of the time. As for its linear indication, the idea may seem simple but the execution is a technical headache of monumental proportions. However Messrs Albert and Cottier believe in it and they stick with it, creating a prototype for Patek Philippe.
1959. A patent is deposited by Louis Cottier, detailing the technical scale of the achievement. Then – nothing. The prototype is put on to one side. Does the watch even work? Today nobody knows for sure. It took its place in the corner of the Patek Philippe museum and proceeded to arouse curiosity from time to time.
1998. With pencil and paper Martin Frei, co-founder of the URWERK brand and an aesthete at heart, sketches the first outline of his future creation: a watch in which the hours and minutes are indicated by two straight, parallel lines. But he hesitates. With Felix Baumgartner, master watch-maker and co-founder of URWERK, another idea springs to mind – the concept of the hour satellite, presented for the first time at Basel. The earlier project is postponed, sine die.
2006. URWERK is henceforth known and recognized for its mechanical hour satellite watches in which orbiting hour satellites indicate the minutes. But the idea of developing a different way of telling the time continues to fascinate Felix Baumgartner. In the end it is the Alfred Hitchcock film “The Birds” that gives him the decisive nudge in the right direction. In one of the most famous scenes from the film, the heroine seeks refuge in an old Dodge. The image lasts only a few seconds but it is crucial – a close-up of the dashboard and its linear speedometer. Yes. That’s it! A continuous line with which to mark time. Felix and Martin work non-stop on this new project. Their research leads them to the discovery of Gilbert Albert and Louis Cottier’s watch. It will be their “muse”.
Watchmaker Felix Baumgartner
I am not big on nostalgia, but I have always loved the linear speedometers found on old cars. My older brother had a 1960’s Volvo and it was that which gave us the first idea for a horological linear indication. I recently watched the film ‘The Birds’ by Alfred Hitchcock, and in it the heroine took refuge in an old Dodge with a linear speedometer- it is one of my favourite scenes. There are very few wristwatches with linear indications. One of them, if not the first, was ‘The Cobra’, which was developed in the late 1950s by Mr. Louis Cottier. It is sensational! Although it was created over half a century ago, it is still very contemporary. Unfortunately, it only exists as a single prototype and was never put into production. Now, 50 years after he filed his patent (1959), URWERK pays homage to the work of Louis Cottier by creating its own interpretation of the Cobra. -Felix Baumgartner
Designer Martin Frei
I am interested in the perception of time. Physicists tell us that time can be warped or stretched, and our daily experiences are with the circular cycles of the days, seasons and years. But I am also intrigued that time can be ordered, even straitjacketed, to flow in a linear direction - a straight line from the past, through the present, to the future. And, because this can represent an individual’s lifeline, I feel that this linear format can be a very human way to look at time. That plus the fact that I think it looks really cool! -Martin FreiAdditional presentation party photos by Ian Skellern of Horomundi
Members of the Confrérie Horlogere 2008-2009 and Mathias Buttet (CEO and founder BNB Concept ; founder Confrérie Horlogère).
From the left: David Rodriguez, Ranieri Illicher, Clara Bise, Mathias Buttet, Ken Koshiyama, Sabitry Montandon, Gabriel Salgado-de Arce, Brigitte Carneiro.
It was therefore inevitable, despite the abovementioned pledge, that as a fully verticalized entity, BNB would eventually indulge in its own vanity projects – albeit under an alternative banner, "Confrérie Horlogère". (Perhaps reminiscent of Robert Greubel and Stephen Forsey’s Complitime factory, which bankrolled proceedings before they unleashed their eponymous double tourbillon).
Pita Molinos (Pita Windmills) - prototype status - by AHCI watchmaker Aniceto Jiménez Pita
No hands timepiece. Floating hour and minute wheels telling directly the time, without hands. Wheels and cannon pinion elegantly maximized with embedded precious stones (laquered finish in shown prototype) to indicate the time, in an unprecedented and ethereal manner.
Symmetric case, no crown. Pita-005 movement featuring patented Pita-TSM System (Time Setting Mechanism), replacing remontoire and winding systems developed by Pita.
Designed and handmade in Barcelona Spain. Short and numbered series.
Fully customizable. Unlimited assortment of dials, hands, straps and buckles to choose from.
Available in 18 ct. yellow / white / rose Gold, or Platinum 950.
Dimensions: 42mm, height 9,4mm. Strap 20mm.
Time in Six Parts is a series of attempts to unravel and re-present time through alternative perspectives. The hope is to demystify scales of time that are out of our immediate reach and explore new approaches to marking time.Six timekeeping devices were built as part of Che-Wei Wang's thesis project at the Interactive Telecommunications Program at TISCH, NYU.
3.16 Billion Cycles video
How accurate does a clock need to be? Most household clocks display time with 3 mechanical movements; the hour, on a 12 hour cycle; minutes past the hour; and seconds past the minute. How crucial is it for us to know how many seconds are past the minute? Do we need to know the exact number of minutes past the hour?
One Hour Sprocket is a wall-mounted 12 hour clock with a 60 tooth sprocket attached to a motor, completing one revolution every hour. From the sprocket hangs a chain that consists of 720 links. Each link accounts for every minute of a 12 hour cycle. Among the black chain links is one polished stainless steel link to identify the position of the hour past 12 o’clock. To tell time one can estimate the position of the “hour hand” or count the number of links from the polished link to the top of the clock for a more accurate reading.
Thermal Clock video
We rely heavily on our vision to identify change. We see sand accumulating at the bottom of the hourglass. We see the minute hand rotate clockwise. How would our sense of time change if we cast time to another sense?
Thermal Clock is a timepiece that positions heat along a bar over a 24 hour cycle to tell time.
Using an array of peltier junctions, heat is emitted from a focused area moving from left to right along the bar over the course of a day.
Counting to a Billion video
As a child, I remember challenging myself to count to 1000, 1 million, or 1 billion. I don’t think I ever made it.
Why do we aimlessly count? How long would it take to count to a billion?
Counting to a Billion is a device created to fulfill the desire to count. The electronics consists of a microcontroller, a speech module, and a speaker powered by a rechargeable battery. There is no/off switch. The voice begins counting at one, two, three and continues counting up until it reaches one billion at which point in time it will stop.
Counting to a Billion Clock
If it took a second to utter each string of numbers, it would take 1 billion seconds or 31.7 years for the device to reach its end. But since it takes more than a second to vocalize many of the numbers in the sequence, it may take upwards of 60 years to complete.
The unit is housed in a solid block of aluminum, cnc milled into a vessel that was designed to withstand substantial abuse over many years.
Cinematic Timepiece video
Time is our measure of a constant beat. We use seconds, minutes, hours, days, weeks, months, years, decades, centuries, etc. But what if we measured time against rituals, chores, tasks, stories, and narratives? How can we use our memory, prediction, familiar and unfamiliar narratives to tell time?
As a child, I remember using the length of songs as a way to measure how much time was left during a trip. A song was an appropriate period to easily multiply to get a grasp of any larger measure like the time left until we arrived to our grandmother’s place. The length of a song was also a measure I could digest and understand in an instant.
The first iteration of Cinematic Timepiece consists of 5 video loops playing at 5 different speeds on a single screen. The video is of a person coloring in a large circle on a wall.
The frame furthest to the right is a video loop that completes a cycle in one minute. The video to the left of the minute loop completes its cycle in one hour. The next completes in a day, then a month, then a year.
Through various iterations, we intend to experiment with various narratives and rituals captured in a video loop to be read as measures of time.
The software was written in OpenFrameworks for a single screen to be expanded in the future for multiple screens as a piece of hardware.
We often compare ourselves to friends, colleagues, relatives, idols, etc. on a scale of time that’s beyond our comprehension. Full of hope and objectives that are far into the future, we strive to achieve as much as our parents, friends, and heroes.
What do you plan to achieve in the next 5 years? 10 years? 20? How long will you live?
Though there are many unknowns, we share one lifetime as a common measure.
In a Lifetime is a website that visualizes individual achievements and milestones along the scale of one lifetime. Each point along the arc represents a milestone where the top (12th hour) is their moment of birth, the right quadrant (3rd hour) is a quarter through their life, the bottom (6th hour) is half way through their life, and so on. The mapping strips age as a parameter from individuals and scales lifespans to compare achievements of one life with another.
The website collects information about each individual through a publicly accessible interface. Input parameters are, author, date of birth, lifespan, milestone or note, and significance (0-100). Anyone who visits the site can enter information about an individual to be mapped. If one so desires, you can enter your predicted lifespan to compare personal milestones to others.
Some patterns emerge. Significant achievements are made between the half way point and the 3/4 point of their lives. Beyond the 3/4 point, nearly all individuals stop accruing achievements .
Around the half way point in their individual lives, Albert Einstein wrote the General Theory of Relativity, Constantin Brancusi completed the Kiss, Le Corbusier completed Villa Savoye, Leonardo Da Vinci drew the proportions of human figure after Vitruvious.
It will eventually be produced by NAVA, and will be displayed at the upcoming Milan Design Week. The designer, Denis Guidone, has had one other concept posted on Yanko, a clock too, how about that!
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