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The Astronauts Orbit Campus - Live (LP) (1964)

The Astronauts Orbit Campus - Live (LP) (1964)

The Astronauts Orbit Campus - Live (LP) (1964)

The Astronauts were an American rock and roll band, who had a minor hit in 1963 with "Baja" and remained successful for several years, especially in Japan. They have been described as being, "along with...(the) Trashmen, the premier landlocked Midwestern surf group of the '60s." For most of their career, the band members were Rich Fifield, Jon "Storm" Patterson, Bob Demmon, Dennis Lindsey, and Jim Gallagher.
The Astronauts developed out of a group, The Stormtroupers, which was originally formed at Boulder High School, Boulder, Colorado in 1956 by Jon "Storm" Patterson (vocals, guitar), Robert Graham "Bob" Demmon (guitar; born February 11, 1939), and Brad Leach (drums). In 1961, they became The Astronauts after adding Richard Otis "Rich" Fifield (vocals, guitar) and Dick Sellars (guitar), the change of band name recognising the fascist connotations of the previous name (despite the different spelling) and to pay tribute to local hero, astronaut Scott Carpenter. Patterson switched to bass, Leech was replaced on drums by Jim Gallagher, and soon afterwards Sellars left to join the US Navy, being replaced by Dennis Lindsey. With a line-up of Demmon, Patterson, Fifield, Lindsey and Gallagher, the band gained a strong local reputation, toured as far as Chicago and Dallas, Texas, and released their first single, "Come Along Baby", in 1962, on the small Palladium label.They were signed to RCA Records after a record company executive was impressed by their performance at a local night club, the Tulagi.

Their first single on RCA was "Baja", an instrumental written by Lee Hazlewood originally for his friend, guitarist Al Casey. Released by The Astronauts in early 1963, the track was described as "a typical surf instrumental with a reverberation-heavy twangy guitar and driving drumbeat", and reached # 94 on the Billboard Hot 100 for just one week, the pinnacle of their US chart career. However, they released a succession of further singles on RCA, in an attempt by the record company to emulate the success of the Beach Boys and other surf music-related groups in the charts at the time. According to reviewer Richie Unterberger, "the group shone brightest on their instrumentals, which used mounds of Fender reverb and two rhythm guitars; when they sang, the results were much less successful." Patterson and Fifield shared lead vocals, and the band recorded songs by Roger Christian, Gary Usher, Dick Dale and Henry Mancini, among others. Fifield, the lead guitarist,used a Fender Jazzmaster on the recordings, with an early prototype reverb unit personally loaned to the group by Leo Fender. Their 1965 song "Tomorrow's Gonna Be Another Day was covered by The Monkees in 1966.

As well as a succession of singles and EPs, the band released four LPs over nine months, starting in May 1963: Surfin' with The Astronauts – which reached # 61 on the Billboard 200 album chart – Everything Is A-OK! (recorded live at the Club Baja in Denver, Colorado), Competition Coupe, and The Astronauts Orbit Campus (recorded live in Boulder).

They appeared several times on the Hullabaloo TV show, and have the distinction of appearing in more beach party movies than any other surf band: Surf Party, Wild on the Beach, Wild Wild Winter and Out of Sight. Regarding the band's performance in 1964's Surf Party, the book Pop Surf Culture states “The Astronauts bang out a thick, reverb-laden instrumental called ‘Firewater,’ and their theme song ‘Surf Party’ happens to be one of the best surf instrumentals ever recorded.”

In 1964, their record company discovered that they had a growing fan base in Japan, where they outsold The Beach Boys and toured with The Ventures. Five albums and three singles made the top 10 there, with "Movin'" – retitled as "Over The Sun" – reaching number one in the country.

In all, they recorded nine albums. Gallagher and Lindsey were drafted for Vietnam before the last album, Travelin' Men in 1967, and were replaced by Mark Bretz and Rod Jenkins respectively. Demmon also left, being replaced by Robert Carl McLerran, before Fifield and Patterson finally decided to end the band name after a tour of Asia in 1968.

Associated acts
For a while, the same band – Fifield, Patterson, McLerran, Bretz and Jenkins – performed in the US under the name SunshineWard, who released one single, "Sally Go Around The Roses", in 1967. Patterson then left the band and music business, and Fifield and McLerran formed a new band, Hardwater, with Tony Murillo and Peter M. Wyant. In 1968, the band released two singles and an album, Hardwater, on Capitol Records, produced by David Axelrod. Fifield also had a role in assisting Axelrod and record engineer David Hassinger, who owned the rights to the group name of The Electric Prunes, to find a new group of musicians to take on that group's name for their record, Mass in F Minor. Fifield contacted fellow Colorado musicians, Richard Whetstone, John Herron and Mark Kincaid, who then agreed to form one of the final line-ups of The Electric Prunes.

The Astronauts reunited temporarily to perform in Boulder, Colorado, in 1974, 1988 and 1989.

Later years
A four-CD box set of the group's recordings, The Complete Astronauts Collection, was issued on the Collectables label in 1997.

Dennis Lindsey died in 1991.

Mark Bretz died August 15, 1999, aged 54.

Robert "Bob" Demmon worked as a teacher in Coronado, California, whose students included George Sanger. He died of cardiac arrest on December 18, 2010, at the age of 71.



The Astronauts - Rarities...

The Astronauts -  Rarities...

Along with Minnesota's Trashmen, the Astronauts (from Colorado) were the premier landlocked Midwestern surf group of the '60s. They recorded numerous singles and albums and achieved vast regional popularity, but only scored one modest national hit, "Baja." With little material of their own, they judiciously tapped heavyweights like Lee Hazelwood (who wrote "Baja"), Roger Christian, and Gary Usher, as well as covering tunes by Dick Dale and Henry Mancini. The group shone brightest on their instrumentals, which used mounds of Fender reverb and two rhythm guitars; when they sang, the results were much less successful

Normally, a CD like this, made up of true obscurities, wouldn't be the place that one should start listening to a group. But it's also almost impossible to listen to this collection of early tracks and vault leftovers and not feel a tremendous respect for the Astronauts, or conclude that this CD might be as good a place as any for the neophyte listener to plunge into their sound. It's all that strong. The early Palladium Records single "Come Along Baby" b/w "Tryin' to Get to You" (the latter featuring vocals by bassist Stormy Patterson) is pretty impressive, and the two dozen outtakes from their 1963-1965 RCA sessions show off a band that had several albums' worth of substantial and enjoyable surf music at their disposal, the unheard stuff every bit as good as what got released. Robert Demmon, Dennis Lindsey, and Richard Fifield could come up with as many interesting and different guitar attacks, and James Gallagher was just as adept on the drums as their opposite numbers in the Ventures; only the latter group got to release about three albums a year, whereas the Astronauts did about a third of that. What's more, as "Tryin' to Get to You" and "Everyone but Me" show, they were fairly strong in the vocal department when necessary, although "My Little Beach Bunny" was nothing to write home about in terms of lyrics. Their later stuff here, especially "Buy Me a Round" and "Shame Shame Shame," has a garage punk edge that will prove a real shocker for those who only associate the group with their surf movie appearances. Their 1965-vintage rendition of "Tomorrow's Gonna Be Another Day" is a snarling masterpiece that runs circles around the Monkees' version, and it's followed by an instrumental adaptation of the same material that doubles the fun. Next up, in turn, are the vaguely folk-rockish "The Tables Have Turned" and "Girls Like You" with their jangly guitars and Searchers-like introductions -- and it's difficult to hold anything against any band that covers "I'm Gonna Buy Me a Dog." The stuff here may all be rare or hard-to-find for lots of reasons, but not because it deserves to be. The sound is excellent, up to Bear Family's usual standard, and the annotation nicely informative and, at times, downright fun -- a lot like the music.

The Astronauts -  Rarities...

The Astronauts Orbit Campus - Live (LP) (1964) The Astronauts -  Rarities...

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