The Roadrunners - Twist Time im Star-Club Hamburg ( Ariola)
The Roadrunners - Twist Time im Star-Club Hamburg Ariola
1 - Rip It Up
2 - You Can Make It If You Try
3 - Little Ruby
4 - Baby You Don't Have To Go
5 - Slow Down
6 - That's All Right
7 - Beautiful Dreamer
8 - Long Tall sally
9 - Hoochie Koochie Man
10 - You're Better Move On
11 - Roadrunner
1964 first recording
12 - You Can Make It If You Try
13 - Mary Ann
14 - Cry Cry Cry
15 - Fun At Twenty One
16 - The Leaving Of Liverpool
17 - My Baby Left Me
18 - Beautiful Delilah
The Roadrunners (UK) / Shorty &Them - Star-Club Show 2
Mike (a.k.a. Henry) Hart - Guitar, Sax, Vocals
Pete Mackey - Bass, Vocals
Dave Percy - Guitar, Vocals
John Peacock - Piano
Dave Boyce - Drums
The Roadrunners emerged in 1962, having previously played as the Tenabeats. In those days, there was no white R&B scene in / Liverpool, as there was in London, centred on the activities of the rather older jazz-blues guitarist Alexis Korner.
For a short period, the Roadrunners cornered the R&B market in Liverpool, as we were the only group playing the same sort of Chicago/Muddy Waters style copies as our metropolitan counterparts - very different from the sound which came to be known as "Merseybeat". Thus we became the band of first choice for University and College gigs as the "trad" jazz bands which were popular at the time were swiftly replaced by something a bit more "a la mode".
The Roadrunners' spiritual home was the "Everyman Club" in the basement of the Everyman Cinema (now theatre) known as "Hope Hall". Four hundred yards from the Art School, and backing onto the university campus, the club was the hang-out of many local poets, painters and arty types, and so we became components of many diverse "events" arranged by Adrian Henri and based on Allan Kaprow's New York Happenings.
John Willett (arts correspondent of the Guardian newspaper) described one of these "happenings" as including: "Some really good things especially by Roger McGough, accompanied by an electric-guitar group, the Roadrunners: the first time I've heard poetry and jazz that really came off... Also a very effective turn with all three poets (Gorman, McGough and Patten) reading verses to a tune of the group's, which then let its own vocalist loose... There really was something there. "
Shorty And Them
Newcastle, Tyne and Wear, United Kingdom
Peter Kirtley (lead guitar, vocals), Brian Rowan (bass), Pat Dymon [aka Shorty] (vocals, organ, ?-1964), Brian Dunlop (drums), Jesse (drums, ?-1964), Roger Read [Alan Reeves]* (organ, 1964-65), Braham Millard (drums, 1964-65)
Also Known As- Take Six 
* Roger Read [Alan Reeves] member of :
Clinic, Jupiter Sunset Band, The Krew, Shorty and Them, The Showtimers, The Wranglers
Not yet found...
THE SHOWTIMERS 8 BIG HITS + 4 NEW ONES
Not yet found...
THE SHOWTIMERS 8 BIG HITS + 4 NEW ONES
The Steampacket - The Steampacket ( ) / VA -The First R & B Festival (1964)
Because their ranks included a future superstar, the Steampacket have received more attention than they really deserve. Featuring vocalists Rod Stewart, Long John Baldry, and Julie Driscoll, as well as organist Brian Auger, misleading reissues of the group's demos bill the act as "the first supergroup." That's simply not the case. They were an interesting conglomeration, and innovative in the respect of featuring several singers. But their true status is as a short-lived footnote, and not one that rates as a highlight of any of the principals' careers.
Though the Steampacket played gigs at small venues around London as early as 1962, the nucleus of the band formed in mid-1965, after the demise of Baldry's backing outfit, the Hoochie Coochie Men. Baldry envisioned a soul-type revue, each singer taking the material for which he or she was most suited. Management by Giorgio Gomelsky (who also handled the Yardbirds and several other interesting British groups) and a supporting slot on the Rolling Stones' summer 1965 British tour seemed to promise a bright future.
Their professional activities were complicated by the fact that Baldry and Stewart retained separate managers for their individual careers. Additionally, Baldry was already signed to United Artists as a solo act, thwarting Gomelsky's plans to record the band. This led to disputes between the different managers, and the Steampacket broke up before they managed to enter the studio.
Officially enter the studio, that is. Gomelsky did record some tapes with the band at a rehearsal at the famous Marquee club in London. These have been reissued numerous times since the 1970s, and show the band to be a competent but hardly thrilling soul-rock outfit, anchored instrumentally by Auger's jazz blues organ. Stewart moved on to the Jeff Beck Group, the Faces, and solo stardom; Baldry moved into middle-of-the-road pop, landing some British hit singles in the late '60s. Auger had recorded as a backup musician on Baldry's mid-'60s solo records, and his Brian Auger Trinity group continued working with Julie Driscoll, reaching the U.K. Top Five in 1968 with "This Wheel's on Fire."
The Roadrunners' earliest recorded output, You Can Make It If You Try and Mary Ann, comes from the First Annual R&B Festival at Birmingham Town Hall on February 28th, 1964. Organized by Georgio Gomelsky, this one-night festival featured Sonny Boy Williamson backed by the Yardbirds and supported by Long John Baldry and the Hoochie Coochie Blues Band, the Spencer Davis Rhythm & Blues Quartet, and, of course, the Roadrunners. The gig was recorded by Gomelsky, and this somewhat low-fidelity album has subsequently been released by Charly Records and on CD by Repertoire (Steampacket/First R&B Festival). Incidentally, Rod Stewart (then roadie for the Hoochie Coochie Men) also makes an early appearance on the album and the Roadrunners also appear as part of the "All Star" jam through "Got My Mojo Working" which closes the album. Around this time, the band were offered a deal by a major record label. However, Mike Hart seemed reluctant to get involved with "all this commercialism," and it fell through. The band returned to Liverpool and added the two sax players Nick Carver and Johnny Phillips, becoming a James Brown-style soul outfit. Following the second Star Club album, the band returned from Hamburg and appeared on one more disc, the Pantomania EP, which was made to raise money for the University rag week in 1965. It includes their version of the Bobby Bland classic "Cry, Cry, Cry" and a version of "The Leaving of Liverpool." Mike Hart left shortly afterwards to pursue a solo career, and the Roadrunners carried on for a while under the leadership of Pete Mackey
Bass Guitar – Chris Dreja (tracks: 17 to 20), Cliff Barton (tracks: 14, 15), Muff Winwood (tracks: 11, 16), Peter Mackey (tracks: 12, 13)
Drums – David Boyce (2) (tracks: 12, 13), Ernie O'Malley (tracks: 14, 15), Jim McCarty (tracks: 17 to 20), Pete York (tracks: 11, 16)
Guitar – Eric Clapton (tracks: 17 to 20), Jeff Bradford* (tracks: 14, 15), Michael Hart* (tracks: 12, 13), Paul Samwell-Smith (tracks: 17 to 20), Spencer Davis (tracks: 11, 16), Steve Winwood (tracks: 11, 16)
Harp – Keith Relf (tracks: 17 to 20)
Keyboards – John Peacock (5) (tracks: 12, 13), Johnny Parker (4) (tracks: 14, 15)
Saxophone – John Philips (4) (tracks: 12, 13), Nick Carver* (tracks: 12, 13)
Vocals – Long John Baldry (tracks: 14, 15), Michael Hart* (tracks: 12, 13), Rod Stewart (tracks: 14, 15), Sonny Boy Williamson II* (tracks: 17 to 20)
1 –The Steampacket Back At The Chicken Shack
2 –The Steampacket The In-Crowd
3 –The Steampacket Baby Take Me
4 –The Steampacket Can Get A Witness
5 –The Steampacket Baby Baby
6 –The Steampacket Holy Smoke
7 –The Steampacket Cry Me A River
8 –The Steampacket Oh Baby, Don't You Do It
9 –The Steampacket Lord Remember Me
The First R & B Festival - Live at the Birmingham Town Hall, February 2nd, 1964
10 –Bob Wooler Introduction
11 –The Spencer Davies Rhythm & Blues Quartet* Dimples
12 –The Liverpool Roadrunners* You're Gonna Make It If You Try
13 –The Liverpool Roadrunners* Mary Ann
14 –Long John Baldry 's Hoochie Goochie Men* Bright Lights, Big City
15 –Long John Baldry 's Hoochie Goochie Men* The 2.19
16 –The Spencer Davies Rhythm & Blues Quartet* Night Time Is The Right Time
17 –The Yardbirds & Sonny Boy Williamson II* Slow Walk
18 –The Yardbirds & Sonny Boy Williamson II* Highway 69
19 –The Yardbirds & Sonny Boy Williamson II* My Little Cabin
20 –The Yardbirds & Sonny Boy Williamson II* Bye Bye Bird
21 –Various Mojo Working