Guest Blog by Maia Chance and Review & Giveaway of Beauty, Beast, and Belladonna
Source: qwillery.blogspot.com
Review: Cinderella Six Feet Under by Maia Chance
Cinderella Six Feet Under
Author: Maia Chance
Series: A Fairy Tale Fatal Mystery 2
Publisher: Berkley, September 1, 2015
Format: Mass Market Paperback and eBook, 320 pages
List Price: $7.99 (print); $7.99 (eBook)
ISBN: 9780425271629 (print); 9780698140059 (eBook)
Review Copy: Provided by the Publisher
Author: Maia Chance
Series: A Fairy Tale Fatal Mystery 2
Publisher: Berkley, September 1, 2015
Format: Mass Market Paperback and eBook, 320 pages
List Price: $7.99 (print); $7.99 (eBook)
ISBN: 9780425271629 (print); 9780698140059 (eBook)
Review Copy: Provided by the Publisher
This Cinderella goes from ashes to ashes in the new Victorian-era Fairy Tale Fatal Mystery by the author of Snow White Red-Handed . . .
Variety hall actress Ophelia Flax’s plan to reunite her friend Prue with her estranged—and allegedly wealthy—mother, Henrietta, is met with a grim surprise. Not only is the marquise’s Paris mansion a mouse-infested ruin, but Henrietta has inexplicably vanished, leaving behind an evasive husband, two sinister stepsisters, and a bullet-riddled corpse in the pumpkin patch decked out in a ball gown and one glass slipper—a corpse that also happens to be a dead ringer for Prue.
Strangely, no one at 15 rue Garenne seems concerned about who plugged this luckless Cinderella or why, so the investigation is left to Ophelia and Prue. It takes them through the labyrinthine maze of the Paris Opera, down the trail of a legendary fairy tale relic, into the confidence of a wily prince charmless, and makes them vulnerable to the secrets of a mysterious couturière with designs of her own on Prue’s ever-twisting family history.
Jennifer's Review
Cinderella Six Feet Under is the second instalment in Maia Chance’s Fairy Tale Fatal Mystery series. The series follows two American ladies, Ophelia and Prue, former variety hall actresses, as they are making their way through Victorian era Europe. Prue is attempting to find her mother, Henrietta, also a former actress, who abandoned Prue in the states and has since married a French nobleman. Ophelia is hoping she can get back to America once Prue is settled with Henrietta. Things go awry right from the start when the girls discover the dead body of Prue’s long lost older sister, Sybille, murdered in the pumpkin patch. Things get even worse when they learn that Henrietta is also missing from the run down Paris mansion she shares with her husband and two step-daughters. Ophelia and Prue must locate Henrietta, fearing that she may be in danger from the murderer. They must find the killer before he moves on to Prue, who bears an uncanny resemblance to the murdered sister she had never met.
Ophelia is a tenacious and bright young woman, who seems to balk at all of the conventions that Victorian society force upon her. She is also a master of disguise, spending much of the book dressed as a rotund, gray haired, matronly chaperone, Mrs. Brand. Prue is a simple girl, with simple hopes and dreams, to be a respectable wife and mother. To this end, she convinces the slovenly, and often inebriated, housekeeper at the mansion to teach her how to be a good cook and housewife. Neither Prue nor Ophelia expect to get swept up into a murder investigation that centers on the Cinderella fairy tale.
We also meet Gabriel again, the bookish English lord who has a fascination with the truth and history behind common fairy tales. Gabriel is often conflicted by his emerging feelings for Ophelia, as she is not a shy, retiring lady, but a bold and worldly actress. Those conflicted feelings do not stop Gabriel from rushing to Ophelia’s side to help her discover the killer, although the fact that the murder is tied up with a family that claims to be descended from Cinderella is also a factor in his eagerness to help Ophelia. For her part, Ophelia is just as skilled as Gabriel is squashing her tender feelings.
The characters that make up the household at 15 Rue Garenne, the very house that Cinderella may very well have toiled in before fortune smiled upon her and her prince charming, are definitely an odd lot. The patriarch is Malbert, Henrietta’s new husband. Malbert is an unpleasant looking little man who has an obsession with clockwork inventions and seems to be scatterbrained and is decidedly unworried about his bride’s disappearance. Malbert’s daughters are Eglantine and Austorga, two unattractive and frivolous ladies who can easily be envisioned as Cinderella’s wicked step-sisters. Baldewyn is the family’s pretentious butler, who clearly feels that Prue and Ophelia, or Mrs. Brand as she is known at the mansion, are below his notice. Bespectacled Englishwomen Seraphine Smythe and her distracted mother, while not really a part of the household, are frequently guests of the sisters.
Ophelia and Gabriel’s investigation into Sybille’s murder and Henrietta’s disappearance takes them often to the Paris Opera, which is, of course, performing the Cinderella story as a ballet. We meet various characters connected to the ballet. Caleb Grant, a smarmy American transplant, is the dancing master at the opera. Ophelia meets the highly eligible and handsome Slovenian Prince Rupprecht at a performance of the ballet. He is the target of every young debutante in Paris, including the wicked step-sisters. Prince Rupprecht’s close friend, Count de Griffe, is a bear of a man with a decided leonine appearance who is quite smitten with Ophelia, in her role of Gabriel’s American heiress cousin.
Other important characters include Madame Fayette, a sought after clothier, and Josie, her overworked head seamstress, and Monsieur Colifichet, a cunning clockwork inventor, and his young apprentice, Pierre. We also meet Lord and Lady Cruthlach, more English transplants, who are both elderly and frail, with an unhealthy and fanatical desire to obtain a Cinderella artifact that is purported to be somewhere in the mansion where Prue and Ophelia are staying, and their sweet and handsome grandson, Dalziel.
The storyline is multifaceted, often moving swiftly, but flowing well from one concept to the next. The author completely weaves the Cinderella story into the events of the mystery in a way that makes sense and works well. The tension between Ophelia and Gabriel is mounting in this novel and makes the plot very interesting. The banter between the two is clever and funny. I will be very interested in seeing where their relationship goes in the next book in the series, which is entitled Beauty, Beast, and Belladonna.
Cinderella Six Feet Under is the second instalment in Maia Chance’s Fairy Tale Fatal Mystery series. The series follows two American ladies, Ophelia and Prue, former variety hall actresses, as they are making their way through Victorian era Europe. Prue is attempting to find her mother, Henrietta, also a former actress, who abandoned Prue in the states and has since married a French nobleman. Ophelia is hoping she can get back to America once Prue is settled with Henrietta. Things go awry right from the start when the girls discover the dead body of Prue’s long lost older sister, Sybille, murdered in the pumpkin patch. Things get even worse when they learn that Henrietta is also missing from the run down Paris mansion she shares with her husband and two step-daughters. Ophelia and Prue must locate Henrietta, fearing that she may be in danger from the murderer. They must find the killer before he moves on to Prue, who bears an uncanny resemblance to the murdered sister she had never met.
Ophelia is a tenacious and bright young woman, who seems to balk at all of the conventions that Victorian society force upon her. She is also a master of disguise, spending much of the book dressed as a rotund, gray haired, matronly chaperone, Mrs. Brand. Prue is a simple girl, with simple hopes and dreams, to be a respectable wife and mother. To this end, she convinces the slovenly, and often inebriated, housekeeper at the mansion to teach her how to be a good cook and housewife. Neither Prue nor Ophelia expect to get swept up into a murder investigation that centers on the Cinderella fairy tale.
We also meet Gabriel again, the bookish English lord who has a fascination with the truth and history behind common fairy tales. Gabriel is often conflicted by his emerging feelings for Ophelia, as she is not a shy, retiring lady, but a bold and worldly actress. Those conflicted feelings do not stop Gabriel from rushing to Ophelia’s side to help her discover the killer, although the fact that the murder is tied up with a family that claims to be descended from Cinderella is also a factor in his eagerness to help Ophelia. For her part, Ophelia is just as skilled as Gabriel is squashing her tender feelings.
The characters that make up the household at 15 Rue Garenne, the very house that Cinderella may very well have toiled in before fortune smiled upon her and her prince charming, are definitely an odd lot. The patriarch is Malbert, Henrietta’s new husband. Malbert is an unpleasant looking little man who has an obsession with clockwork inventions and seems to be scatterbrained and is decidedly unworried about his bride’s disappearance. Malbert’s daughters are Eglantine and Austorga, two unattractive and frivolous ladies who can easily be envisioned as Cinderella’s wicked step-sisters. Baldewyn is the family’s pretentious butler, who clearly feels that Prue and Ophelia, or Mrs. Brand as she is known at the mansion, are below his notice. Bespectacled Englishwomen Seraphine Smythe and her distracted mother, while not really a part of the household, are frequently guests of the sisters.
Ophelia and Gabriel’s investigation into Sybille’s murder and Henrietta’s disappearance takes them often to the Paris Opera, which is, of course, performing the Cinderella story as a ballet. We meet various characters connected to the ballet. Caleb Grant, a smarmy American transplant, is the dancing master at the opera. Ophelia meets the highly eligible and handsome Slovenian Prince Rupprecht at a performance of the ballet. He is the target of every young debutante in Paris, including the wicked step-sisters. Prince Rupprecht’s close friend, Count de Griffe, is a bear of a man with a decided leonine appearance who is quite smitten with Ophelia, in her role of Gabriel’s American heiress cousin.
Other important characters include Madame Fayette, a sought after clothier, and Josie, her overworked head seamstress, and Monsieur Colifichet, a cunning clockwork inventor, and his young apprentice, Pierre. We also meet Lord and Lady Cruthlach, more English transplants, who are both elderly and frail, with an unhealthy and fanatical desire to obtain a Cinderella artifact that is purported to be somewhere in the mansion where Prue and Ophelia are staying, and their sweet and handsome grandson, Dalziel.
The storyline is multifaceted, often moving swiftly, but flowing well from one concept to the next. The author completely weaves the Cinderella story into the events of the mystery in a way that makes sense and works well. The tension between Ophelia and Gabriel is mounting in this novel and makes the plot very interesting. The banter between the two is clever and funny. I will be very interested in seeing where their relationship goes in the next book in the series, which is entitled Beauty, Beast, and Belladonna.
Previously
Snow White Red-Handed
A Fairy Tale Fatal Mystery 1
Berkley, November 4, 2014
Mass Market Paperback and eBook, 336 pages
See Jennifer's review here.
A Fairy Tale Fatal Mystery 1
Berkley, November 4, 2014
Mass Market Paperback and eBook, 336 pages
Miss Ophelia Flax is a Victorian actress who knows all about making quick changes and even quicker exits. But to solve a fairy-tale crime in the haunted Black Forest, she’ll need more than a bit of charm…
1867: After being fired from her latest variety hall engagement, Ophelia acts her way into a lady’s maid position for a crass American millionaire. But when her new job whisks her off to a foreboding castle straight out of a Grimm tale, she begins to wonder if her fast-talking ways might have been too hasty. The vast grounds contain the suspected remains of Snow White’s cottage, along with a disturbing dwarf skeleton. And when her millionaire boss turns up dead—poisoned by an apple—the fantastic setting turns into a once upon a crime scene.
To keep from rising to the top of the suspect list, Ophelia fights through a bramble of elegant lies, sinister folklore, and priceless treasure, with only a dashing but mysterious scholar as her ally. And as the clock ticks towards midnight, she’ll have to break a cunning killer’s spell before her own time runs out…
Amazon : Barnes and Noble : Book Depository : Books-A-Million : IndieBound
Google Play : iBooks : Kobo
Google Play : iBooks : Kobo
See Jennifer's review here.
Upcoming
Beauty, Beast, and Belladonna
A Fairy Tale Fatal Mystery 3
Berkley, February 2, 2016
Mass Market Paperback and eBook, 320 pages
A Fairy Tale Fatal Mystery 3
Berkley, February 2, 2016
Mass Market Paperback and eBook, 320 pages
From the author of Cinderella Six Feet Under, a beauty must solve a beastly murder.
Variety hall actress Ophelia Flax knows how to win over an audience. That’s why she’s accepted the marriage proposal of the brutish Comte de Griffe to nettle her occasional investigative partner—and romantic sparring partner—the pompous if dashing Professor Penrose.
But with his boorish table manners, wild mane of hair, and habit of prowling away the wee hours, the comte has shredded Ophelia’s last nerve. She intends to disengage from her feral fiancé at his winter hunting party—until Penrose, his lovely new fiancée, and a stagecoach of stranded travelers arrive at the comte’s sprawling château. Soon she can’t tell the boars from the bores.
When one of the guests is found clawed and bloody in the orangerie, Ophelia is determined to solve the murder before everyone starts believing the local version of Beauty and the Beast. But until the snows melt, she can’t trust her eyes—or her heart—since even the most civilized people hold beastly secrets…
Source: qwillery.blogspot.com
Interview with Maia Chance and Review of Snow White Red-Handed - November 7, 2014
Please welcome Maia Chance to The Qwillery. Snow White Red-Handed, the first in the Fairy Tale Fatal Mystery series, was published on November 4, 2014.
TQ: Welcome to The Qwillery. When and why did you start writing?
Maia: Thanks so much for having me as a guest on your wonderful blog! I wrote my first book at age five, a thrilling adventure involving giraffes (spelled “drafs”), and have been at it ever since. I’ve always written mostly to amuse myself, writing those stories that I wish I could read, but haven’t been written yet.
TQ: Are you a plotter or a pantser?
Maia: Well, I used to be a pantser, but now I’m a reformed pantser, mainly in the interest of saving time. But whenever I’m plotting a book in advance I feel like a kid staring out the window at all the other kids playing and having fun while I’m basically “grounded” with my plotting.
TQ: What is the most challenging thing for you about writing?
Maia: I struggle with the uncertainty and lack of control in the first draft stage of a book. I love editing; editing is where the fun starts for me.
TQ: Describe Snow White Red-Handed in 140 characters or less.
Maia: Snow White Red-Handed is a fun historical mystery that intertwines fairy tale lore with a classic whodunit plot.
TQ: Tell us something about Snow White Red-Handed that is not in the book description.
Maia: Many of the book’s scenes are set in a castle and in the forest, as the book description mentions, but another important piece of the setting is the fascinating (I think, anyway!) town of Baden-Baden. In particular, roulette games at the Baden-Baden casino play a pivotal role in the plot.
TQ: What inspired you to write Snow White Red-Handed? Why rewrite fairy tales? Do you have a favorite fairy tale?
Maia: I was inspired to write this book while I was teaching a writing course based on fairy tales while simultaneously reading 19th-century American literature in preparation for my PhD exams. And rewriting fairy tales? Well, we all live with fairy tales, and they belong to all of us, and I think they have themes that resonate deeply with us as readers, even when—especially when?—they are framed in fresh, new ways.
My favorite fairy tale is “Beauty and the Beast”—which I’m starting to work on now for the third book in the Fairy Tale Fatal series!
TQ: What sort of research did you do for Snow White Red-Handed?
Maia: I had read quite a lot of academic fairy tale criticism going into the project, because of the writing course I’d taught. That certainly shaped some of Professor Penrose’s views on fairy tales. And then there was all the period research—clothes, transportation, and so on—that was incredibly fun. I also drew upon my travel experiences in that part of Germany, and I used historical travelogues and travelogues, too.
TQ: In Snow White Red-Handed, who was the easiest character to write and why? The hardest and why?
Maia: Prue, Ophelia’s young friend, was somehow the easiest character for me to write. Prue is kind of a hapless waif, the classic fairy tale heroine who has stuff just happen to her. Ophelia was tougher for me to write because she’s very practical-minded. Although Ophelia is, deep-down, susceptible to love, she doesn’t allow herself to cry or act too sentimental. Great traits in a heroine and sleuth, but traits that I personally, um, well, I’m working on them! Also, writing a strong and resourceful heroine in a book set in 1867 turned out to be a bit challenging, since so many things are stacked against her—I mean, she has to wear a corset through the whole thing!
TQ: Give us one or two of your favorite non-spoilery lines from Snow White Red-Handed.
Maia: My favorite parts of this book are the tensions between “reality” and magical possibilities, and the tensions between beauty and the work women do to maintain their beauty (which is, after all, a big part of “Snow White and the Seven Dwarves”).
“Ophelia was suddenly afflicted with unfamiliar—and shockingly impractical—notions creeping into the back of her mind. Unwelcome, these notions were, like tiny intruders sneaking in through a rusted trap-door. Maybe Professor Penrose was right. Maybe fairy tales were real.”
“Just like a pastry, you had to make the most of a man’s lovesickness when it was fresh and hot.”
“‘Come on! Throw me that key!’ Prue struck her wistful Juliet’s pose in the tower window frame. Assuming Juliet ever had a pimple brewing on her left nostril.
Hansel scratched his head. ‘Oh, all right.’”
TQ: What's next?
Maia: Cinderella Six Feet Under, the second book in the Fairy Tale Fatal series, will be released next fall. And next fall Come Hell or Highball, the first book in my new series, The Discreet Retrieval Agency, will also be released. It’s going to be an exciting and busy year.
TQ: Thank you for joining us at The Qwillery!
Maia: Thanks so much for having me as a guest on your wonderful blog! I wrote my first book at age five, a thrilling adventure involving giraffes (spelled “drafs”), and have been at it ever since. I’ve always written mostly to amuse myself, writing those stories that I wish I could read, but haven’t been written yet.
TQ: Are you a plotter or a pantser?
Maia: Well, I used to be a pantser, but now I’m a reformed pantser, mainly in the interest of saving time. But whenever I’m plotting a book in advance I feel like a kid staring out the window at all the other kids playing and having fun while I’m basically “grounded” with my plotting.
TQ: What is the most challenging thing for you about writing?
Maia: I struggle with the uncertainty and lack of control in the first draft stage of a book. I love editing; editing is where the fun starts for me.
TQ: Describe Snow White Red-Handed in 140 characters or less.
Maia: Snow White Red-Handed is a fun historical mystery that intertwines fairy tale lore with a classic whodunit plot.
TQ: Tell us something about Snow White Red-Handed that is not in the book description.
Maia: Many of the book’s scenes are set in a castle and in the forest, as the book description mentions, but another important piece of the setting is the fascinating (I think, anyway!) town of Baden-Baden. In particular, roulette games at the Baden-Baden casino play a pivotal role in the plot.
TQ: What inspired you to write Snow White Red-Handed? Why rewrite fairy tales? Do you have a favorite fairy tale?
Maia: I was inspired to write this book while I was teaching a writing course based on fairy tales while simultaneously reading 19th-century American literature in preparation for my PhD exams. And rewriting fairy tales? Well, we all live with fairy tales, and they belong to all of us, and I think they have themes that resonate deeply with us as readers, even when—especially when?—they are framed in fresh, new ways.
My favorite fairy tale is “Beauty and the Beast”—which I’m starting to work on now for the third book in the Fairy Tale Fatal series!
TQ: What sort of research did you do for Snow White Red-Handed?
Maia: I had read quite a lot of academic fairy tale criticism going into the project, because of the writing course I’d taught. That certainly shaped some of Professor Penrose’s views on fairy tales. And then there was all the period research—clothes, transportation, and so on—that was incredibly fun. I also drew upon my travel experiences in that part of Germany, and I used historical travelogues and travelogues, too.
TQ: In Snow White Red-Handed, who was the easiest character to write and why? The hardest and why?
Maia: Prue, Ophelia’s young friend, was somehow the easiest character for me to write. Prue is kind of a hapless waif, the classic fairy tale heroine who has stuff just happen to her. Ophelia was tougher for me to write because she’s very practical-minded. Although Ophelia is, deep-down, susceptible to love, she doesn’t allow herself to cry or act too sentimental. Great traits in a heroine and sleuth, but traits that I personally, um, well, I’m working on them! Also, writing a strong and resourceful heroine in a book set in 1867 turned out to be a bit challenging, since so many things are stacked against her—I mean, she has to wear a corset through the whole thing!
TQ: Give us one or two of your favorite non-spoilery lines from Snow White Red-Handed.
Maia: My favorite parts of this book are the tensions between “reality” and magical possibilities, and the tensions between beauty and the work women do to maintain their beauty (which is, after all, a big part of “Snow White and the Seven Dwarves”).
“Ophelia was suddenly afflicted with unfamiliar—and shockingly impractical—notions creeping into the back of her mind. Unwelcome, these notions were, like tiny intruders sneaking in through a rusted trap-door. Maybe Professor Penrose was right. Maybe fairy tales were real.”
“Just like a pastry, you had to make the most of a man’s lovesickness when it was fresh and hot.”
“‘Come on! Throw me that key!’ Prue struck her wistful Juliet’s pose in the tower window frame. Assuming Juliet ever had a pimple brewing on her left nostril.
Hansel scratched his head. ‘Oh, all right.’”
TQ: What's next?
Maia: Cinderella Six Feet Under, the second book in the Fairy Tale Fatal series, will be released next fall. And next fall Come Hell or Highball, the first book in my new series, The Discreet Retrieval Agency, will also be released. It’s going to be an exciting and busy year.
TQ: Thank you for joining us at The Qwillery!
Snow White Red-Handed
Author: Maia Chance
Series: A Fairy Tale Fatal Mystery 1
Publisher: Berkley, November 4, 2014
Format: Mass Market Paperback and eBook, 336 pages
List Price: $7.99 (print)
ISBN: 9780425271629 (print)
Review Copy: Provided by the Publisher
Author: Maia Chance
Series: A Fairy Tale Fatal Mystery 1
Publisher: Berkley, November 4, 2014
Format: Mass Market Paperback and eBook, 336 pages
List Price: $7.99 (print)
ISBN: 9780425271629 (print)
Review Copy: Provided by the Publisher
Miss Ophelia Flax is a Victorian actress who knows all about making quick changes and even quicker exits. But to solve a fairy-tale crime in the haunted Black Forest, she’ll need more than a bit of charm…
1867: After being fired from her latest variety hall engagement, Ophelia acts her way into a lady’s maid position for a crass American millionaire. But when her new job whisks her off to a foreboding castle straight out of a Grimm tale, she begins to wonder if her fast-talking ways might have been too hasty. The vast grounds contain the suspected remains of Snow White’s cottage, along with a disturbing dwarf skeleton. And when her millionaire boss turns up dead—poisoned by an apple—the fantastic setting turns into a once upon a crime scene.
To keep from rising to the top of the suspect list, Ophelia fights through a bramble of elegant lies, sinister folklore, and priceless treasure, with only a dashing but mysterious scholar as her ally. And as the clock ticks towards midnight, she’ll have to break a cunning killer’s spell before her own time runs out…
Jennifer's Review
This delightful mystery that spans the genres of cozy and historical mysteries is set in the Victorian Era circa 1867. Snow White Red-Handed is the first in a new series that follows two American actresses, Ophelia and Prue, who find themselves unemployed while on a transatlantic trip. Ophelia uses her talents for subterfuge to obtain jobs for both her and her friend as maids to an American millionaire and his new bride. After they arrive at a fairy tale like castle in a German forest Ophelia and Prue quickly find themselves in the midst of a murder.
Ophelia and Prue are very well drawn characters. Ophelia comes across as very strong and able to adapt to whatever situations she finds herself in, while Prue is depicted as a bit of a ninny, albeit a very sweet natured one. I loved the vernacular the author uses for these two ladies. Their slang provides for humorous exchanges, not only with themselves, but with the highbrow sophisticates they come into contact with. The auxiliary characters are varied. The most memorable include a sinister gambling house owner, a mysterious princess, a well-spoken and handsome golden-haired young gardener aptly named Hansel, a meal-obsessed fairy tale expert hired to determine the authenticity of a tiny cottage purported to belong to Snow White’s dwarf friends, and his colleague, the attractive but aloof Gabriel Penrose. There is also great potential for romantic entanglements against the backdrop of the deep fairy tale forest.
The author does a wonderful job of keeping the reader’s attention with seamless and swift transitions in the action and point of view. The scenery was depicted in simple detail so it did not intrude upon the story, but did give the reader a good sense of place and time. The dialogue between the characters is realistic and delivered in snappy and refreshing style. There are many little twists in the plot that kept me interested. The characters are likeable enough to make me want to know what happens to them.
My only complaint with this book is minor and involves the ending. While the murder mystery is tied up in a satisfactory way, as one would expect of a cozy mystery, the interpersonal relationships between Ophelia and Prue and the dashing young men they met at the castle are left completely unresolved. This is done in a way that will lead into the second installment in the Fairy Tale Fatal series which takes place immediately after the events of Snow White Red-Handed. It is simply a personal preference of mine that I tend to prefer books in a series to have more definitive endings regarding both the mystery and the subplots. That being said, I think the ending left quite a bit for the author to pick up on in subsequent books in the series, and because she wrote such engaging characters in this first installment, I am already looking forward to seeing where she takes Ophelia and Prue.
Overall, I greatly enjoyed this novel. The concept of a murder mystery encompassing fairy tale elements is clever and well executed and the characters are drawn in such a refreshing way as to leave a great deal to build on in the future. Snow White Red-Handed is a fun and quick read that never felt boring or flat. I will definitely be looking for the next installment entitled Cinderella Six Feet Under (January 2015).
You may have noticed a new name as reviewer. Please kindly welcome Jennifer Dean to The Qwillery family! We are thrilled that Jennifer has joined us. You may read about Jennifer on the About Us page.
This delightful mystery that spans the genres of cozy and historical mysteries is set in the Victorian Era circa 1867. Snow White Red-Handed is the first in a new series that follows two American actresses, Ophelia and Prue, who find themselves unemployed while on a transatlantic trip. Ophelia uses her talents for subterfuge to obtain jobs for both her and her friend as maids to an American millionaire and his new bride. After they arrive at a fairy tale like castle in a German forest Ophelia and Prue quickly find themselves in the midst of a murder.
Ophelia and Prue are very well drawn characters. Ophelia comes across as very strong and able to adapt to whatever situations she finds herself in, while Prue is depicted as a bit of a ninny, albeit a very sweet natured one. I loved the vernacular the author uses for these two ladies. Their slang provides for humorous exchanges, not only with themselves, but with the highbrow sophisticates they come into contact with. The auxiliary characters are varied. The most memorable include a sinister gambling house owner, a mysterious princess, a well-spoken and handsome golden-haired young gardener aptly named Hansel, a meal-obsessed fairy tale expert hired to determine the authenticity of a tiny cottage purported to belong to Snow White’s dwarf friends, and his colleague, the attractive but aloof Gabriel Penrose. There is also great potential for romantic entanglements against the backdrop of the deep fairy tale forest.
The author does a wonderful job of keeping the reader’s attention with seamless and swift transitions in the action and point of view. The scenery was depicted in simple detail so it did not intrude upon the story, but did give the reader a good sense of place and time. The dialogue between the characters is realistic and delivered in snappy and refreshing style. There are many little twists in the plot that kept me interested. The characters are likeable enough to make me want to know what happens to them.
My only complaint with this book is minor and involves the ending. While the murder mystery is tied up in a satisfactory way, as one would expect of a cozy mystery, the interpersonal relationships between Ophelia and Prue and the dashing young men they met at the castle are left completely unresolved. This is done in a way that will lead into the second installment in the Fairy Tale Fatal series which takes place immediately after the events of Snow White Red-Handed. It is simply a personal preference of mine that I tend to prefer books in a series to have more definitive endings regarding both the mystery and the subplots. That being said, I think the ending left quite a bit for the author to pick up on in subsequent books in the series, and because she wrote such engaging characters in this first installment, I am already looking forward to seeing where she takes Ophelia and Prue.
Overall, I greatly enjoyed this novel. The concept of a murder mystery encompassing fairy tale elements is clever and well executed and the characters are drawn in such a refreshing way as to leave a great deal to build on in the future. Snow White Red-Handed is a fun and quick read that never felt boring or flat. I will definitely be looking for the next installment entitled Cinderella Six Feet Under (January 2015).
********
You may have noticed a new name as reviewer. Please kindly welcome Jennifer Dean to The Qwillery family! We are thrilled that Jennifer has joined us. You may read about Jennifer on the About Us page.
About Maia
Maia Chance writes historical mystery novels that are rife with absurd predicaments and romantic adventure. She is the author of the Fairy Tale Fatal and The Discreet Retrieval Agency series, and her first mystery, Snow White Red-Handed, will be released in November 2014 by Berkley Prime Crime.
Maia is a candidate for the Ph.D. in English at the University of Washington. This means that the exploits of Fairy Tale Fatal’s heroine, variety hall actress Ophelia Flax, were dreamt up while Maia was purportedly researching 19th-century American literature and fairy tale criticism. The Discreet Retrieval Agency series was born of Maia’s fascination with vintage shoes, automobiles, and cocktails combined with an adoration of P. G. Wodehouse and chocolate.
Upcoming titles include Come Hell or Highball (St. Martin’s Press, 2015) and Cinderella Six Feet Under (Berkley Prime Crime, 2015). Maia lives in Seattle, where she shakes a killer martini, grows a mean radish, and bakes mocha bundts to die for.
Website ~ Facebook ~ Twitter @maiachance ~ Goodreads
Maia is a candidate for the Ph.D. in English at the University of Washington. This means that the exploits of Fairy Tale Fatal’s heroine, variety hall actress Ophelia Flax, were dreamt up while Maia was purportedly researching 19th-century American literature and fairy tale criticism. The Discreet Retrieval Agency series was born of Maia’s fascination with vintage shoes, automobiles, and cocktails combined with an adoration of P. G. Wodehouse and chocolate.
Upcoming titles include Come Hell or Highball (St. Martin’s Press, 2015) and Cinderella Six Feet Under (Berkley Prime Crime, 2015). Maia lives in Seattle, where she shakes a killer martini, grows a mean radish, and bakes mocha bundts to die for.
Website ~ Facebook ~ Twitter @maiachance ~ Goodreads
Source: qwillery.blogspot.com
